To the strict observance of which they attribute the coming of Buffalo to supply them with food during the season. This scene is exceedingly grotesque, and takes place several times in each day outside the lodge, and around the curb, or “Big Canoe,” whilst the young men still remain in the lodge, as seen in the other picture. For this dance, however, the four sacks of water are brought out and beat upon, and the old medicine-man comes out and leans against the “Big Canoe” with his medicine-pipe in his hand, and cries. The principal actors in this scene are eight men dancing the Buffalo Dance, with the skins of buffalo on them, and a bunch of green willows on their backs. There are many other figures, whose offices are very curious and interesting, but which must be left for my Lectures or Notes to describe. The black figure on the left they call O-kee-hee de (the Evil Spirit), who enters the village from the prairie, alarming the women, who cry for assistance, and are relieved by the old medicine-man; and the Evil Spirit is at length disarmed of his lance, which is broken by the women, and he is driven by them in disgrace out of the village. The whole nation are present on this occasion as spectators and actors in these strange scenes.
506. Represents what they call Pohk-hong (the Cutting Scene). It shows the inside of the Medicine Lodge, the same as is seen in the first picture (505).
This is on the fourth day of the ceremonies, in the afternoon. A number of the young men are seen reclining and fasting, as in the first picture; others of them have been operated upon by the torturers, and taken out of the lodge; and others yet are seen in the midst of those horrid cruelties. One is seen smiling whilst the knife and the splints are passing through his flesh. One is seen hanging by the splints run through the flesh on his shoulders, and drawn up by men on the top of the lodge. Another is seen hung up by the pectoral muscles, with four buffalo-skulls attached to splints through the flesh on his arms and legs; and each is turned round by another, with a pole, until he faints, and then he is let down. One is seen as he is lowered to the ground; and another, who has been let down and got strength enough to crawl to the front part of the lodge, where he is offering to the Great Spirit the little finger of the left hand, by laying it on a buffalo-skull, where another chops it off with a hatchet. In the right of the picture are all the chiefs and dignitaries of the tribe looking on.
507. Represents what they call the “Last Race.”
After they have all been tortured in the lodge in the above manner, they are led out of it with the weights, buffalo-skulls, &c. hanging to their flesh. Around the “Big Canoe” is a circle of young men formed, who hold a wreath of willow-boughs between them, and run round with all possible violence, yelling as loud as they can.
The young fellows who have been tortured are then led forward, and each one has two athletic and fresh young men (their bodies singularly painted), who step up to him, one on each side, and take him by a leathern strap, tied round the wrist, and run round, outside of the other circle, with all possible speed, forcing him forward till he faints, and then drag him with his face in the dirt until the weights are all disengaged from him, by tearing the flesh out, when they drop him, and he lies (to all appearance a corpse) until the Great Spirit gives him strength to rise and walk home to his lodge.
In this scene also the medicine-man leans against the “Big Canoe” and cries, and all the nation are spectators. Many pages would be required to give to the world a just description of these strange scenes; and they require to be described minutely in all their parts in order to be fully appreciated and understood. (A full account of these in my Notes and Letters.)
NINE OJIBBEWAYS,
WHO VISITED LONDON IN 1845.
508. Ah-quee-we-zaints, the Boy Chief; a venerable man of 72 years.