“It is true that all Indian women stay away from their husbands the seven days of their illness, and I think they are the decentest people of the two for doing it.”

“A squaw is an Indian woman who is married.”

“The Calumet is a pipe of peace.”

“Horns on a chief’s head-dress have no bad meaning.”

“Mr. Catlin is not a repudiator,” &c., &c.

And thus went on poor Daniel’s list to the number of about 100 commonplace questions which he had hoped to have disposed of by a sort of steam operation; but finding that they must all continue to be “done by hand,” as before, he returned to his post, which, from his disappointment in his unrealized hopes, seemed to drag more heavily than ever upon him, and so rapidly to wear him down that he was obliged to plan a tour to his own native land of Erin, where he went for some weeks, to restore his lungs and his strength. His labour-saving suggestion might have been a very convenient one for me in his absence, but it was dispensed with, and he was soon back at his post, recruited and assuming the command again, whilst I was busy in advancing the material for my forthcoming work.

The Notes of my Eight Years’ Travels amongst Forty-eight different Tribes of Indians in America, to be illustrated with more than 300 steel plate illustrations, were nearly ready to be put to press; and I called on my good friend John Murray, in Albemarle Street, believing that he would be glad to publish them for me. To my surprise he objected to them (but without seeing my manuscript), for two reasons which he at once alleged: first, because he was afraid of the great number of illustrations to be embodied in the work, and secondly for (certainly) the most unfashionable reason, that “he loved me too much!” I had brought a letter of introduction to him from his old friend Washington Irving; and from the deep interest Mr. Murray had taken in my collection and the history and prospects of the poor Indians, my rooms (which were near his dwelling-house) were his almost daily resort, and I a weekly guest at his hospitable board, where I always met gentlemen of eminence connected with literature and art. Good and generous old man! he therefore “loved me too much” to share with me the profits of a work which he said should all belong to me for my hard labour and the risks of my life I had run in procuring it; and as the means of enlarging those profits he advised me to publish it myself. “I would advise you,” said he, “as one of your best friends, to publish your own book; and I am sure you will make a handsome profit by it. Being an artist yourself, and able to make the drawings for your 300 illustrations, which for me would require a very great outlay to artists to produce them, and having in your exhibition-room the opportunity of receiving subscriptions for your work, which I could not do, it will be quite an easy thing for you to take names enough to cover all the expenses of getting it up, which at once will place you on safe ground; and if the work should be well received by Mr. Dilke and others of the critical world, it will insure you a handsome reward for your labours, and exceedingly please your sincere friend, John Murray.”

This disinterested frankness endeared me to that good man to his last days, and his advice, which I followed, resulted, as he had predicted, to my benefit. My subscription list my kind friend the Hon. C. A. Murray had in a few days commenced, with the subscriptions of

Her most gracious MAJESTY the QUEEN,
H. R. H. Prince Albert,
Her Majesty the Queen Dowager,
H. R. H. the Duchess of Kent,
His Majesty the King of the Belgians,
H. M. the Queen of the Belgians,
His Royal Highness the Duke of Sussex,
H. R. H. Leopold Duc de Brabant.

After which soon followed a complimentary list of the nobility and gentry, together with the leading institutions of the kingdom.