No. 5.—Wrestling. A favourite amusement among many of the tribes. For these scenes, several distinguished young men are selected on each side, and the goods bet being placed in the care of the stakeholders, the wrestling commences at a signal given, and the stakes go to the party who count the greatest number of men remaining on their feet.
No. 6.—Ball Play. The most beautiful and exciting of all Indian games. This game is often played by several hundreds on a side. The group represents the players leaping into the air, and struggling to catch the ball as it is descending, in their ball-sticks.
No. 7.—Game of Tchung-kee. The favourite play of the Mandans, and used by them as their principal gambling game.
No. 8.—The Night Dance of the Seminolees. A ceremony peculiar to this tribe, in which the young men assemble and dance round the fire after the chiefs have retired to rest, gradually stamping it out with their feet, and singing a song of thanksgiving to the Great Spirit; after which they wrap themselves in their robes and retire to rest.
One will easily see that this opened a new field of amusement and excitement for my old friends, who were now nightly present, with their companions, and approving with rounds of applause. Amongst these was my untiring friend Mr. Murray, who, among the distinguished personages whom he introduced, made a second visit with the little Leopold, Duc de Brabant, whom he brought in his arms from his carriage. His Royal Highness, as the curtain rose and I stepped forward to give a brief lecture, seemed not a little disappointed, by the speech that he suddenly made—“Why, that is not an Indian, that is Mr. Catlin, who gave me the Indian pipe and the mocassins.” However, a few moments more brought forth red faces, and songs and yelps that seemed more sensibly to affect his Royal Highness’s nerves, and at which Mr. Murray removed with him to a more distant part of the room, from which point he looked on with apparent delight.
About this time an incident of my Transatlantic life occurred, to which I shall ever recur with great satisfaction:—there was, standing in my exhibition-room, an elaborate model of the Falls of Niagara, which I had made from an accurate survey of that grand scene some thirteen years before; and, in compliment for the accuracy and execution of which, a handsome silver medal had been struck, and presented to me by the American Institute in New York, at one of its annual exhibitions, where it had been exposed to public view. The Hon. Mr. Murray, whose familiarity with that sublime scene had enabled him to judge of the fidelity of the model, upon which he was often looking, with his friends, with intense interest, by his representations to Her Majesty and the Prince had excited in them a desire to see it; and he called upon me one morning to inform me that Her Majesty would be pleased to have me bring it to Windsor Castle the next day at one o’clock, at which hour I should be received.
The reader may imagine what pleasure this unexpected and unmerited honour gave me, and also to my dear Clara, who was in the habit of sharing with me the pleasures of many compliments, in the forms of which she could not join me.
I was at Windsor the next morning, with the model, and having placed and arranged it in Her Majesty’s drawing-room, I took Mr. Murray’s arm at the appointed hour of one o’clock, and, as we entered the drawing-room, we observed Her Majesty and His Royal Highness entering at the opposite door. We met by the side of the model—where I was presented, and received in the most gracious and kind manner. Her Majesty expressed a wish that I should point out and explain the principal features of the scene; which, with the vivid descriptions which Mr. Murray also gave, of going under the Horse-Shoe Fall, &c., seemed to convey a very satisfactory idea to Her Majesty and the Prince; they asked many questions about the characters and effects of this sublime scene, and also of the Indians, for whose rights they said they well knew I was the advocate, and retired, thanking me for the amusement and instruction I had afforded them.
Several months after this passed on in the usual routine of my business and amusements (my collection open during the days and my lectures and tableaux given at night) without incidents worth reciting, when I received an invitation from the Mechanics’ Institute at Liverpool to unite my Indian collection to their biennial fair or exhibition, which was to be on a scale of great magnificence. They very liberally proposed to extend the dimensions of their buildings for the occasion, and I consented to join them with my whole collection for two months. My lease had expired at the Egyptian Hall, and my collection was soon on its way to Liverpool.