The American artists now in Paris, in a memorial addressed to Congress, urging the importance of securing this collection to our country, say, “Having made ourselves acquainted with the extent and interest of this unique collection, and of its peculiar interest to our country; and also aware of the encouraging offers now made to its proprietor for its permanent establishment in England, as well as the desire generally manifested here to have it added to the historical gallery of Versailles, we have ventured to unite in the joint expression of our anxiety that the members of the present Congress may pass some resolution that may be the means of restoring so valuable a collection to our country, and fixing it among its records. Interesting to our countrymen generally, it is absolutely necessary to American artists. The Italian who wishes to portray the history of Rome finds remnants of her sons in the Vatican; the French artist can study the ancient Gauls in the museums of the Louvre; and the Tower of London is rich in the armour and weapons of the Saxon race.
“Your memorialists, therefore, most respectfully trust that Mr. Catlin’s collection may be purchased and cherished by the Federal Government, as a nucleus for a national museum, where American artists may freely study that bold race who once held possession of our country, and who are so fast disappearing before the tide of civilization. Without such a collection, few of the glorious pages of our early history can be illustrated, while the use made of it here by French artists, in recording upon canvas the American discoveries of their countrymen in the last century, shows its importance.”
Your Committee feel the justice of these sentiments of American artists, and also the importance, as suggested in their memorial, of securing, by the purchase of his collection, the future efforts of Mr. Catlin for its enlargement. Let the Government appropriate his collection, and the chief ambition of its author’s life will be realized, and he will be enabled, in a few years, to double it in value and extent.
The bill which has recently passed the House for the establishment of the Smithsonian Institution provides that there shall belong to it a “gallery of art;” and of course it must be intended that such gallery shall be occupied by works of art. That such works should be principally American, is the obvious dictate of patriotism. No productions, your Committee believe, at present exist, more appropriate to this gallery than those of Mr. Catlin, or of equal importance. Should Congress fail to act on this subject, or decide unfavourably to Mr. Catlin’s proposal, he may, notwithstanding his reluctance, be compelled to accept the positive and advantageous offers now made to him in England.
The love of art, and respect for those who have cultivated it with success, especially for those who have illustrated, by their productions, the history of their country, have ever been cherished by the most civilized nations. It has been justly observed, that “among the Greeks the arts were not so much objects to promote gratification as of public interest; they were employed as the most powerful stimulants of piety and patriotism, commissioned to confer distinction upon those who were conspicuous for valour, for wisdom, and for virtue. A statue or picture gave celebrity to a city or a state, and a great artist was considered a national ornament—a public benefactor, whom all were bound to honour and reward.”
Your Committee believe the price of his collection, as named by Mr. Catlin, is moderate, and that a failure to obtain it would occasion deep regret to all the friends of art, and to all Americans who reasonably and justly desire to preserve memorials of the Indian race, or the means by which our future artists and historians may illustrate the great and most interesting events in the early periods and progress of our country.
The Committee, therefore, recommend that the bill for the establishment of the Smithsonian Institute be so amended as that provision shall be made therein for the purchase of Mr. Catlin’s gallery at the price mentioned by him—namely, sixty-five thousand dollars—payable in annual instalments of ten thousand dollars.
New York Journal of Commerce, Nov. 12th.
When I had completed the pictures ordered by the King, his Majesty graciously granted me an audience in the Palace of the Tuileries to deliver them, on which occasion he met me with great cheerfulness, and, having received from me a verbal description of each picture, he complimented me on the spirit of their execution, and expressed the highest satisfaction with them, and desired me to attach to the back of each a full written description. The dimensions of these paintings were 30 by 36 inches, and the subjects as follow:—