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LETTER—No. 5.
MOUTH OF YELLOW STONE, UPPER MISSOURI.
In my former epistle I told you there were encamped about the Fort a host of wild, incongruous spirits—chiefs and sachems—warriors, braves, and women and children of different tribes—of Crows and Blackfeet—Ojibbeways—Assinneboins—and Crees or Knisteneaux. Amongst and in the midst of them am I, with my paint pots and canvass, snugly ensconced in one of the bastions of the Fort, which I occupy as a painting-room. My easel stands before me, and the cool breech of a twelve-pounder makes me a comfortable seat, whilst her muzzle is looking out at one of the port-holes. The operations of my brush are mysteries of the highest order to these red sons of the prairie, and my room the earliest and latest place of concentration of these wild and jealous spirits, who all meet here to be amused and pay me signal honours; but gaze upon each other, sending their sidelong looks of deep-rooted hatred and revenge around the group. However, whilst in the Fort, their weapons are placed within the arsenal, and naught but looks and thoughts can be breathed here; but death and grim destruction will visit back those looks upon each other, when these wild spirits again are loose and free to breathe and act upon the plains.
I have this day been painting a portrait of the head chief of the Blackfoot nation; he is a good-looking and dignified Indian, about fifty years of age, and superbly dressed ([plate 11]); whilst sitting for his picture he has been surrounded by his own braves and warriors, and also gazed at by his enemies, the Crows and the Knisteneaux, Assinneboins and Ojibbeways; a number of distinguished personages of each of which tribes, have laid all day around the sides of my room; reciting to each other the battles they have fought, and pointing to the scalp-locks, worn as proofs of their victories, and attached to the seams of their shirts and leggings. This is a curious scene to witness, when one sits in the midst of such inflammable and combustible materials, brought together, unarmed, for the first time in their lives; peaceably and calmly recounting over the deeds of their lives, and smoking their pipes upon it, when a few weeks or days will bring them on the plains again, where the war-cry will be raised, and their deadly bows will again be drawn on each other.
The name of this dignitary, of whom I have just spoken, is Stu-mick-o-sucks (the buffalo’s back fat), i. e. the “hump” or “fleece,” the most delicious part of the buffalo’s flesh. I have also painted, of the Blackfeet, Pe-toh-pee-kiss (the eagle ribs), and Mix-ke-mote-skin-na (the iron horn), and Wun-nes-tou (the white buffalo), and Tcha-aes-sa-ko-mah-pee (the bear’s child), and In-ne-o-cose (the buffalo’s child), and half-a-dozen others, and all in rich and costly dresses.
There is no tribe, perhaps, on the Continent, who dress more comfortably, and more gaudily, than the Blackfeet, unless it be the tribe of Crows. There is no great difference, however, in the costliness or elegance of their costumes; nor in the materials of which they are formed; though there is a distinctive mode in each tribe, of stitching or ornamenting with the porcupine quills, which constitute one of the principal ornaments to all their fine dresses; and which can be easily recognized, by any one a little familiar with their modes, as belonging to such or such a tribe. The dress, for instance of the chief whom I have just mentioned, and whose portrait I have just painted, consists of a shirt or tunic, made of two deer skins finely dressed, and so placed together with the necks of the skins downwards, and the skins of the hind legs stitched together, the seams running down on each arm, from the neck to the knuckles of the hand; this seam is covered with a band of two inches in width, of very beautiful embroidery of porcupine quills, and suspended from the under edge of this, from the shoulders to the hands, is a fringe of the locks of black hair, which he has taken from the heads of victims slain by his own hand in battle. The leggings are made also of the same material; and down the outer side of the leg, from the hip to the feet, extends also a similar band or belt of the same width; and wrought in the same manner, with porcupine quills, and fringed with scalp locks. These locks of hair are procured from scalps, and worn as trophies.
The wife (or squaw) of this dignitary Eeh-nis-kin (the crystal stone), I have also placed upon my canvass ([plate 13]); her countenance is rather pleasing, which is an uncommon thing amongst the Blackfeet—her dress is made of skins, and being the youngest of a bevy of six or eight, and the last one taken under his guardianship, was smiled upon with great satisfaction, whilst he exempted her from the drudgeries of the camp; and keeping her continually in the halo of his own person, watched and guarded her as the apple of his eye. The grandson also of this sachem, a boy of six years of age, and too young as yet to have acquired a name, has stood forth like a tried warrior; and I have painted him at full length ([plate 12]), with his bow and quiver slung, and his robe made of a racoon skin. The history of this child is somewhat curious and interesting; his father is dead, and in case of the death of the chief, of whom I have spoken, he becomes hereditary chief of the tribe. This boy has been twice stolen away by the Crows by ingenious stratagems, and twice re-captured by the Blackfeet, at considerable sacrifice of life, and at present he is lodged with Mr. M‘Kenzie, for safe keeping and protection, until he shall arrive at the proper age to take the office to which he is to succeed, and able to protect himself.
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