It’s near your cue, Mistress Nell!
The greenroom of the King’s House was scarcely a prepossessing place or inviting. A door led to the stage; another to the street. On the remaining doors might have been deciphered from the Old English of a scene-artist’s daub “Mistress Gwyn” and “Mr. Hart.” These doors led respectively to the tiring-room of the sweet sprite who had but now set the pit wild with a hat over a sparkling eye and to that of the actor-manager of the House. A rough table, a few chairs, a mirror which had evidently seen better days in some grand mansion and a large throne-chair which might equally well have satisfied the royalty of Macbeth or Christopher Sly–its royalty, forsooth, being in its size, for thus only could it lord-it over its mates–stood in the corner. Old armour hung upon the wall, grim in the light of candles fixed in braziers. Rushes were strewn about the floor.
Ah! Pepys, Pepys, was it here that you recalled “specially kissing of Nell”? Mayhap; for we read in your book: “I kissed her, and so did my wife, and a mighty pretty soul she is.” Be that as it may, however, you must have found Nell’s lips very agreeable; for a great wit has suggested that it was well that Mrs. Pepys was present on the occasion.
On great play-nights, however, this most unroyal room assumed the proportions of royalty. Gallants and even lords sought entrance here and elbowed their way about; and none dared say them nay. They forced a way even upon the stage during the play, though not so commonly as before the Restoration, yet still too much; and the players played as best they could, and where best they could. Billets-doux passed, sweet words were said,–all in this dilapidated, unpretentious, candle-lighted room.
At the moment of which we speak, the greenroom was deserted save for a lad of twelve or fourteen years, who stood before the mirror, posing to his personal satisfaction and occasionally delivering bits from “Hamlet.” He was none other than “Dick,” the call-boy of the King’s House.
The lad struck a final attitude, his brow clouded. He assumed what seemed to him the proper pose for the royal Dane. His meditations and his pose, however, were broken in upon by the sudden entrance of Manager Hart, flushed and in an unusual state of excitement.
“Where is my dagger, Dick?” he exclaimed, pacing the room.
The boy came to himself but slowly.
“What are you doing? Get my dagger, boy,” wildly reiterated the irate manager. “Don’t you see there will be a stage-wait?” He cast an anxious glance in the direction of the door which led to the stage.
“Where did you leave it, sir?” asked the lad, finally realizing that it would be wise not to trifle at such a time.