The secretary then read the report of the committee which was appointed last year to inquire into the reason, "why crocodiles laid eggs." The report stated, that, the Association having furnished them with means (£500) to prosecute this inquiry, so important to science; they found it absolutely necessary to take a long and arduous journey into Egypt, to investigate the facts upon the spot. They had run great risks in pursuing their researches: having killed a crocodile for the purpose of dissection (which act had filled the Arabs with horror, as they consider the crocodile holy), they had narrowly escaped becoming martyrs in the cause of science. They had examined many hieroglyphics, and had discovered upon some of the most ancient, figures of a crocodile with wings,—this proved them to have been at one and the same time inhabitants of the water, the earth, and the air, and therefore, from their assimilation to the functions of birds, they laid eggs. This the committee had concluded was the reason of the phenomenon. They also stated, that, from the various facts which had come under their notice during this inquiry, they had no doubt that dragons at one time existed,—and proposed that a grant should be made for the purpose of searching for the skeleton of the famous Dragon of Wantley.
Mr. Smith (of London) read a paper showing that the popular story of "Jack and the Bean-stalk" was founded upon the old tradition of the Lotus-eaters, and that the idea of the tale had been taken from the alleged power the Lotus-fruit had in producing an elevation-above-the-clouds sort of feeling in the eater,—which was only transferred into reality in the case of Jack: the injunction of Pythagoras to his disciples to abstain from beans, being supposed to refer to the Lotus, may have given the idea of a bean-stalk to the novelist.
Dr. Daub stated, that by watering the ground round the roots of flowers with different chemical solutions, suited to the changes in colour wished for, he had been able to alter the tints of the petals to various colours, thus producing an agreeable and novel effect.
The above communication having been read, a speculative listener suggested as a subject for one of the learned professors, the sympathetic connection which evidently exists between Music and Fire. He cited, as an old example of this, the fiddling of Nero during the burning of Rome; and related, as a recent proof of the secret affinity, the following story: "It is known," he said, "that during the fire at the Tower the soldiers in the fortress, as well as others, were occupied in removing the furniture of many of the inhabitants;" and free access was of course afforded them for that purpose. In one instance, a lady who had rushed up to the top of the house to secure some valuables, was, on descending after a short absence to the drawing-room, astonished to see two enormous 'British Grenadiers' attempting to play the Piano; upon being discovered, they struck up the 'Grenadiers' March' to 'double-quick time,' carrying off the 'upright grand' in a very orderly and soldier-like manner.
By the way, as we have here recurred to the subject with which we opened this Number, the fire at the Tower, we may mention that a relic of the wheel of the Victory is yet in existence; for a friend of ours assures us that while the fire was raging in the upper floors of the Armoury he saw a person saw off one of the handles of the said wheel; and if he have not yet given it into the hands of the proper parties, we would recommend him to do so at once, or it may be made a handle against him.
It was upon another occasion that a lady and gentleman, who had just seen their opposite neighbour's house burnt down, were discussing the spectacle with great seriousness. "How I grieved," said the lady, "to see poor Mrs. Tims's beautiful damask curtains on fire." "Ah," returned her husband, who had a musical taste, "I didn't so much mind the curtains; but what grieved me most was to see the fireman playing upon that capital grand piano of theirs."
