May put six (!) of 'em into a quart?
Only six! Mark to what immeasurable enormity these subdivisions of cans had risen fifty years after. Well might Roger in Amaze * exclaim,—
* “Roger in Amaze; or the Countryman's Ramble through
Bartholomew Fair. To the tune of the Dutch Woman's Jigg.
1701.”
“They brought me cans which cost a penny a piece,
adsheart,
I'm zure twelve (!!) ne'er could fill our country quart”
“Remember twelve!” Yet these were days of comparative honesty—“a ragged virtue,” which, as better clothes came in fashion, was cast off by the drawers, and an indescribable liquid succeeded, not in a great measure, but “small by degrees and beautifully less,” to the transcendant tipple of Michael Roots. From the wry faces and twinges of modern drinkers (it seems impossible to stand upright in the presence of a Bar-tlemy Fair brewing!) we guess the tap has not materially improved. The advance of prices on the “fine puppet play” * and the two-penny “rare piece of art” were not resisted; the O.P.'s were made to mind their P's and Q's by the terrors of the Pied Poudre.
* “Let me never live to look so high as the two-penny room
again,” says Ben Jonson, in his prologue to Every Man out of
his Humour, acted at the Globe, in 1599. The price of the
“best rooms” or boxes, was one shilling; of the lower places
two-pence, and of some places only a penny. The two-penny
room was the gallery. Thus Decker, “Pay your two-pence to a
player, and you may sit in the gallery—Bellman's Night
Walk. And Middleton, “One of them is a nip, I took him once
into the two-penny gallery at the Fortune.” In Every Man out
of his Humour there is also mention of “the lords' room over
the stage.” The “lords' room” answered to the present stage-
boxes. The price of them was originally one shilling. Thus
Decker, in his Gull's Hornbook, 1609, “At a new play you
take up the twelve-penny room next the stage, because the
lords and you may seem to be hail fellow, well met.”
For many dismal seasons the fair dragged on from hand to mouth, hardly allowing its exhibitors (in the way of refection) to put the one to the other. And though my Lord Mayor * and the keeper of Newgate might take it cool, (in a tankard!) it was no laughing matter to the hungry mountebank, who could grin nobody into his booth; to the thirsty musician (who had swallowed many a butt!) grinding on his barrel; and the starved balladmonger (corn has ears, but not for music!) singing for his bread. We hasten to more prosperous times. “Another glass, and then.” Yet, ere the sand of the present shall have run out, good night to St. Bartholomew! We cannot say with Mr. Mawworm, “We likes to be despised!” nor are we emulous of “crackers,” unless they appertain unto wine and walnuts.
* On the morning the fair is proclaimed, according to
ancient custom, his Magnificence the Mayor drinks “a cool
tankard” (not of aqua pura,) with that retentive knight, the
keeper of Newgate.