I have eaten their bread and salt, and it would ill become me to deny that their circle was charming as well as charmed. But I had no gift for making friends, although I was often attracted by people the very opposite of myself; especially by little, clever, quick, but not too familiar men; but even if they were disposed to make advances, a miserable shyness and stiffness of manner on my part, that I could not help, would raise a barrier of ice between us.
They were most hospitable people, these good Lintots, and had many friends, and gave many parties, which my miserable shyness prevented me from enjoying to the full. They were both too stiff and too free.
In the drawing-room, Mrs. Lintot and one or two other ladies, severely dressed, would play the severest music in a manner that did not mitigate its severity. They were merciless! It was nearly always Bach, or Hummel, or Scarlatti, each of whom, they would say, could write both like an artist and a gentleman—a very rare but indispensable combination, it seemed.
Other ladies, young and middle-aged, and a few dumb-struck youths like myself, would be suffered to listen, but never to retaliate—never to play or sing back again.
If one ventured to ask for a song without words by Mendelssohn—or a song with words, even by Schubert, even with German words—one was rebuked and made to blush for the crime of musical frivolity.
Meanwhile, in Lintot's office (built by himself in the back garden), grave men and true, pending the supper hour, would smoke and sip spirits-and-water, and talk shop; formally at first, and with much politeness. But gradually, feeling their way, as it were, they would relax into social unbuttonment, and drop the "Mister" before each other's names (to be resumed next morning), and indulge in lively professional chaff, which would soon become personal and free and boisterous—a good-humored kind of warfare in which I did not shine, for lack of quickness and repartee. For instance, they would ask one whether one would rather be a bigger fool than one looked, or look a bigger fool than one was; and whichever way one answered the question, the retort would be that "that was impossible!" amid roars of laughter from all but one.
[Illustration]
So that I would take a middle course, and spend most of the evening on the stairs and in the hall, and study (with an absorbing interest much too well feigned to look natural) the photographs of famous cathedrals and public buildings till supper came; when, by assiduously attending on the ladies, I would cause my miserable existence to be remembered, and forgiven; and soon forgotten again, I fear.
I hope I shall not be considered an overweening coxcomb for saying that, on the whole, I found more favor with the ladies than with the gentlemen; especially at supper-time.
After supper there would be a change—for the better, some thought. Lintot, emboldened by good-cheer and good-fellowship, would become unduly, immensely, uproariously funny, in spite of his wife. He had a genuine gift of buffoonery. His friends would whisper to each other that Lintot was "on," and encourage him. Bach and Hummel and Scarlatti were put on the shelf, and the young people would have a good time. There were comic songs and negro melodies, with a chorus all round. Lintot would sing "Vilikins and his Dinah," in the manner of Mr. Robson, so well that even Mrs. Lintot's stern mask would relax into indulgent smiles. It was irresistible. And when the party broke up, we could all (thanks to our host) honestly thank our hostess "for a very pleasant evening," and cheerfully, yet almost regretfully, wish her good-night.