"'PILE OU FACE—HEADS OR TAILS?'"

Next night, Lucia—charming; then again Acis and Galatea, because we had nowhere else to go.

"Tiens, tiens!" says Barty, as the lovers sang "the flocks shall leave the mountains"; "c'est diantrement joli, ça!—écoute!"

Next night, La Sonnambula—then again Acis and Galatea.

"Mais, nom d'une pipe—elle est divine, cette musique‑là!" says Barty.

And the nights after we could scarcely sit out the Italian opera that preceded what we have looked upon ever since as among the divinest music in the world.

So one must not judge music at a first hearing; nor poetry; nor pictures at first sight; unless one be poet or painter or musician one's self—not even then! I may live to love thee yet, oh Tannhäuser!

Lucy Escott, Fanny Huddart, Elliot Galer, and Hamilton Braham—that was the cast; I hear their voices now....

One morning Hamilton Braham tried Barty's voice on the empty stage at St. James's Theatre—made him sing "When other lips."