"And I went on remembering more and more till I was thirty‑five; and even then there was such a lot more of it where that came from that it tired me to try and remember so much—and I went back thither. And thither back shall you go too, Barty—when you are some thirty years older!
"And you already know from me how pleasant life is there—how sunny and genial and gay; and how graceful and innocent and amiable and well‑bred the natives—and what beautiful prayers we sing, and what lovely gavottes and minuets we dance—and how tenderly we make love—and what funny tricks we play! and how handsome and well dressed and kind we all are—and the likes of you, how welcome! Thirty years is soon over, Barty, Barty! Bel Mazetto! Ha, ha! good!"
Then says the good Schubert:
"I'm a loud, rollicking, beer‑drinking Kerl, I am! Ich bin ein lustiger Student, mein Pardy; and full of droll practical jokes; worse than even you, when you were a young scapegrace in the Guards, and wrenched off knockers, and ran away with a poor policeman's hat! But I don't put my practical jokes into my music; if I did, I shouldn't be the poor devil I am! I'm very hungry when I go to bed, and when I wake up in the morning I have Katzenjammer (from an empty stomach) and a headache, and a heartache, and penitence and shame and remorse; and know there is nothing in this world or beyond it worth a moment's care but Love, Love, Love! Liebe, Liebe! The good love that knows neither concealment nor shame—from the love of the brave man for the pure maiden whom he weds, to the young nun's love of the Lord! and all the other good loves lie between these two, and are inside them, or come out of them, ... and that's the love I put into my music. Indeed, my music is the only love I know, since I am not beautiful to the eye, and can only care for tunes!...
"But you, Pardy, are handsome and gallant and gay, and have always been well beloved by man and woman and child, and always will be; and know how to love back again—even a dog! however blind you go, you will always have that, the loving heart—and as long as you can hear and sing, you will always have my tunes to fall back upon...."
"And mine!" says Chopin. "If there's one thing sweeter than love, it's the sadness that it can't last; she loved me once—and now she loves tout le monde! and that's a little sweet melodic sadness of mine that will never fail you, as long as there's a piano within your reach, and a friend who knows how to play me on it for you to hear. You shall revel in my sadness till you forget your own. Oh, the sorrow of my sweet pipings! Whatever becomes of your eyes, keep your two ears for my sake; and for your sake too! You don't know what exquisite ears you've got. You are like me—you and I are made of silk, Barty—as other men are made of sackcloth; and their love, of ashes; and their joys, of dust!
"Even the good priest who plays me to you so glibly doesn't understand what I am talking about half so well as you do, who can't read a word I write! He had to learn my language note by note from the best music‑master in Brussels. It's your mother‑tongue! You learned it as you sucked at your sweet young mother's breast, my poor love‑child! And all through her, your ears, like your remaining eye, are worth a hatful of the common kind—and some day it will be the same with your heart and brain...."
"Yes"—continues Schumann—"but you'll have to suffer first—like me, who will have to kill myself very soon; because I am going mad—and that's worse than any blindness! and like Beethoven who went deaf, poor demigod! and like all the rest of us who've been singing to you to‑night; that's why our songs never pall—because we are acquainted with grief, and have good memories, and are quite sincere. The older you get, the more you will love us and our songs: other songs may come and go in the ear; but ours go ringing in the heart forever!"
In some such fashion did the great masters of tune and tone discourse to Barty through Father Louis's well‑trained finger‑tips. They always discourse to you a little about yourself, these great masters, always; and always in a manner pleasing to your self‑love! The finger‑tips (whosesoever's finger‑tips they be) have only to be intelligent and well trained, and play just what's put before them in a true, reverent spirit. Anything beyond may be unpardonable impertinence, both to the great masters and yourself.
Musicians will tell you that all this is nonsense from beginning to end; you mustn't believe musicians about music, nor wine‑merchants about wine—but vice versa!