Secondly, because I find it such a keen personal joy to evoke and follow out, and realize to myself by means of pen and pencil, all these personal reminiscences; and with such a capital excuse for prolixity!
At the top of every page I have to pull myself together to remind myself that it is not of the Right Honorable Sir Robert Maurice, Bart., M.P., that I am telling the tale—any one can do that—but of a certain Englishman who wrote Sardonyx, to the everlasting joy and pride of the land of his fathers—and of a certain Frenchman who wrote Berthe aux grands pieds, and moved his mother‑country to such delight of tears and tender laughter as it had never known before.
Dear me! the boys who lived and learnt at Brossard's school fifty years ago, and the masters who taught there (peace to their ashes!), are far more to my taste than the actual human beings among whom my dull existence of business and politics and society is mostly spent in these days. The school must have broken up somewhere about the early fifties. The stuccoed Doric dwelling was long since replaced by an important stone mansion, in a very different style of architecture—the abode of a wealthy banker—and this again, later, by a palace many stories high. The two school‑houses in red brick are no more; the play‑ground grew into a luxuriant garden, where a dozen very tall trees overtopped the rest; from their evident age and their position in regard to each other they must have been old friends of mine grown out of all knowledge.
I saw them only twenty years ago, from the top of a Passy omnibus, and recognized every one of them. I went from the Arc de Triomphe to Passy and back quite a dozen times, on purpose—once for each tree! It touched me to think how often the author of Sardonyx has stood leaning his back against one of those giants—au piquet!
They are now no more; and Passy omnibuses no longer ply up and down the Allée du Bois de Boulogne, which is now an avenue of palaces.
An umbrageous lane that led from the Rond‑point to Chaillot (that very forgettable, and by me quite forgotten, quarter) separated the Institution F. Brossard from the Pensionnat Mélanie Jalabert—a beautiful pseudo‑Gothic castle which was tenanted for a while by Prince de Carabas‑Chenonceaux after Mlle. Jalabert had broken up her ladies' school in 1849.
My mother boarded and lodged there, with my little sister, in the summer of 1847. There were one or two other English lady boarders, half‑pupils—much younger than my mother—indeed, they may be alive now. If they are, and this should happen to meet their eye, may I ask them to remember kindly the Irish wife of the Scotch merchant of French wines who supplied them with the innocent vintage of Mâcon (ah! who knows that innocence better than I?), and his pretty little daughter who played the piano so nicely; may I beg them also not to think it necessary to communicate with me on the subject, or, if they do, not to expect an answer?
One night Mlle. Jalabert gave a small dance, and Mérovée Brossard was invited, and also half a dozen of his favorite pupils, and a fair‑haired English boy of thirteen danced with the beautiful Miss ———.
They came to grief and fell together in a heap on the slippery floor; but no bones were broken, and there was much good‑natured laughter at their expense. If Miss ——— (that was) is still among the quick, and remembers, it may interest her to know that that fair‑haired English boy's name was no less than Bartholomew Josselin; and that another English boy, somewhat thick‑set and stumpy, and not much to look at, held her in deep love, admiration, and awe—and has not forgotten!
If I happen to mention this, it is not with a view of tempting her into any correspondence about this little episode of bygone years, should this ever meet her eye.