She thought more of Iphigenia than of the Drachenfels or Ehrenbreitstein; and was overjoyed at the prospect of once more being with Barty, whom she loved as well as she loved me, if not even better. He was fortunate in his sister, too!
And the Rhine in May did very well as a background to all these delights.
So Mr. Babbage (the friend of the family) and I saw them safely on board the Baron Osy ("the Ank‑works package," as Mrs. Gamp called it), which landed them safely in the Place Verte at Antwerp; and then they took train for Düsseldorf, changing at Malines and Verviers; and looked forward eagerly, especially Ida, to the meeting with Barty at the little station by the Rhine.
Barty, as we know, started for Riffrath at Martia's written command, his head full of perplexing thoughts.
Who was Martia? What was she? "A disembodied conscience?" Whose? Not his own, which counselled the opposite course.
He had once seen a man at a show with a third rudimentary leg sticking out behind, and was told this extra limb belonged to a twin, the remaining portions of whom had not succeeded in getting themselves begotten and born. Could Martia be a frustrated and undeveloped twin sister of his own, that interested herself in his affairs, and could see with his eyes and hear with his ears, and had found the way of communicating with him during his sleep—and was yet apart from him, as phenomenal twins are apart from each other, however closely linked—and had, moreover, not managed to have any part of her body born into this world at all?
She wrote like him; her epistolary style was his very own, every turn of phrase, every little mannerism. The mystery of it overwhelmed him again, though he had grown somewhat accustomed to the idea during the last twelvemonth. Why was she so anxious he should marry Julia? Had he, situated as he was, the right to win the love of this splendid creature, in the face of the world's opposition and her family's—he, a beggar and a bastard? Would it be right and honest and fair to her?
And then, again, was he so desperately in love with her, after all, that he should give up the life of art and toil he had planned for himself and go through existence as the husband of a rich and beautiful woman belonging, first of all, to the world and society, of which she was so brilliant an ornament that her husband must needs remain in the background forever, even if he were a gartered duke or a belted earl?
What success of his own would he ever hope to achieve, handicapped as he would be by all the ease and luxury she would bring him? He had grown to love the poverty which ever lends such strenuousness to endeavor. He thought of an engraving he had once taken a fancy to in Brussels, and purchased and hung up in his bedroom. I have it now! It is after Gallait, and represents a picturesquely poor violinist and his violin in a garret, and underneath is written "Art et liberté."