This volume is issued for sale in
paper covers only.
Copyright, 1894, 1899, by Harper & Brothers.
———
All rights reserved.
CONTENTS
[Part Second, ]
[Part Third, ]
[Part Fourth, ]
[Part Fifth, ]
[Part Sixth, ]
[Part Seventh, ]
[Part Eighth]
"Hélas! Je sais un chant d'amour,
Triste et gai, tour à tour!"
ILLUSTRATIONS
[Certain of the illustrations have been moved to the beginning or end of the paragraph in which they appear to ease the reading flow. A larger version of the image may be viewed by clicking directly on the image. (note of etext transcriber)]
| PAGE | |
| "IT WAS TRILBY!" | [Frontispiece] |
| TAFFY, ALIAS TALBOT WYNNE | [4] |
| "THE LAIRD OF COCKPEN" | [5] |
| "THE THIRD HE WAS 'LITTLE BILLEE'" | [7] |
| "IT DID ONE GOOD TO LOOK AT HIM" | [9] |
| AMONG THE OLD MASTERS | [13] |
| "WISTFUL AND SWEET" | [17] |
| THE "ROSEMONDE" OF SCHUBERT | [21] |
| TRILBY'S LEFT FOOT | [27] |
| THE FLEXIBLE FLAGEOLET | [31] |
| THE BRIDGE OF ARTS | [34] |
| "THREE MUSKETEERS OF THE BRUSH" | [39] |
| TAFFY MAKES THE SALAD | [43] |
| "THE GLORY THAT WAS GREECE" | [47] |
| TRILBY'S FOREBEARS | [52] |
| TAIL-PIECE | [56] |
| "AS BAD AS THEY MAKE 'EM" | [59] |
| "A VOICE HE DIDN'T UNDERSTAND" | [63] |
| "AND SO, NO MORE" | [67] |
| "'TWO ENGLANDERS IN ONE DAY'" | [70] |
| "'HIMMEL! THE ROOF OF YOUR MOUTH'" | [73] |
| "'ÇA FERA UNE FAMEUSE CRAPULE DE MOINS!'" | [77] |
| "'AV YOU SEEN MY FAHZER'S OLE SHOES?'" | [81] |
| TAFFY À L'ÉCHELLE! | [85] |
| "THE FOX AND THE CROW" | [89] |
| THE LATIN QUARTER | [92] |
| CUISINE BOURGEOISE EN BOHÈME | [95] |
| "THE SOFT EYES" | [98] |
| ILYSSUS | [101] |
| "'VOILÀ L'ESPAYCE DE HOM KER JER SWEE!'" | [105] |
| TIT FOR TAT | [111] |
| THE HAPPY LIFE | [116] |
| "'LET ME GO, TAFFY...'" | [119] |
| "'QU'EST CE QU'IL A DONC, CE LITREBILI?'" | [121] |
| REPENTANCE | [125] |
| CONFESSION | [129] |
| "ALL AS IT USED TO BE" | [133] |
| "TWIN GRAY STARS" | [135] |
| "AN INCUBUS" | [137] |
| THE CAPITALIST AND THE SWELL | [141] |
| "'I WILL NOT! I WILL NOT!'" | [151] |
| DODOR IN HIS GLORY | [153] |
| HÔTEL DE LA ROCHEMARTEL | [155] |
| CHRISTMAS EVE | [161] |
| "'ALLONS GLYCÈRE! ROUGIS MON VERRE....'" | [163] |
| SOUVENIR | [168] |
| "MY SISTER DEAR" | [173] |
| A DUCAL FRENCH FIGHTING-COCK | [175] |
| "'ANSWER ME, TRILBY!'" | [179] |
| A CARYHATIDE | [180] |
| "'LES GLOUGLOUX DU VIN À QUAT' SOUS....'" | [183] |
| "'IS SHE A LADY, MR. WYNNE?'" | [187] |
| "'FOND OF HIM? AREN'T YOU?'" | [191] |
| "SO LIKE LITTLE BILLEE" | [195] |
| "'I MUST TAKE THE BULL BY THE HORNS'" | [199] |
| "'TRILBY! WHERE IS SHE?'" | [203] |
| LA SŒUR DE LITREBILI | [205] |
| "HE FELL A-WEEPING, QUITE DESPERATELY" | [207] |
| "THE SWEET MELODIC PHRASE" | [211] |
| "SORROWFULLY, ARM IN ARM" | [215] |
| DEMORALIZATION | [225] |
| FRED WALKER | [227] |
| PLATONIC LOVE | [230] |
| "DARLINGS, OLD OR YOUNG" | [235] |
| "THE MOON-DIAL" | [237] |
| THE CHAIRMAN | [239] |
| A HAPPY DINNER | [245] |
| "A-SMOKIN' THEIR POIPES AND CIGYARS" | [247] |
| "BONJOUR, SUZON!" | [253] |
| A HUMAN NIGHTINGALE | [257] |
| CUP-AND-BALL | [263] |
| SWEET ALICE | [267] |
| "MAY HEAVEN GO WITH HER!" | [272] |
| "'SO MUCH FOR ALICE, TRAY'" | [277] |
| "'YOU'RE A THIEF, SIR!'" | [287] |
| "AN ATMOSPHERE OF BANK-NOTES AND GOLD" | [293] |
| "A LITTLE PICTURE OF THE THAMES" | [296] |
| "'AH! THE BEAUTIFUL INTERMENT, MESSIEURS!'" | [301] |
| "PAUVRE TRILBY". | [303] |
| "'JE PRONG!'" | [307] |
| "'OON PAIR DE GONG BLONG'" | [311] |
| GECKO | [315] |
| "AU CLAIR DE LA LUNE" | [319] |
| "OUVRE-MOI TA PORTE POUR L'AMOUR DE DIEU!" | [322] |
| "MALBROUCK S'EN VA-T'EN GUERRE" | [325] |
| "AUX NOUVELLES QUE J'APPORTE, VOS BEAUX YEUX VONT PLEURER!". | [329] |
| UN IMPROMPTU DE CHOPIN | [331] |
| "AND THE REMEMBRANCE OF THEM—HAND IN HAND" | [338] |
| "'I BELIEVE YOU, MY BOY!'" | [341] |
| "MAMAN DUCHESSE" | [351] |
| THE CUT DIRECT | [354] |
| "PETIT ENFANT, J'AIMAIS D'UN AMOUR TENDRE...." | [358] |
| "'VITE! VITE! UN COMMISSAIRE DE POLICE!'" | [363] |
| "I SUPPOSE YOU DO ALL THIS KIND OF THING FOR MERE AMUSEMENT, MR. WYNNE?" | [367] |
| THE FIRST VIOLIN LOSES HIS TEMPER | [373] |
| "HAST THOU FOUND ME, O MINE ENEMY?" | [375] |
| "'OH, DON'T YOU REMEMBER SWEET ALICE, BEN BOLT?'" | [377] |
| "THE LAST THEY SAW OF SVENGALI" | [383] |
| "'THREE NICE CLEAN ENGLISHMEN'" | [386] |
| "PŒNA PEDE CLAUDO" | [389] |
| "THE OLD STUDIO" | [391] |
| "'ET MAINTENANT DORS, MA MIGNONNE!'" | [395] |
| "TAFFY WAS ALLOWED TO SEE GECKO" | [400] |
| A FAIR BLANCHISSEUSE DE FIN | [403] |
| A THRONE IN BOHEMIA | [407] |
| "'OH, MY POOR GIRL! MY POOR GIRL!'" | [410] |
| "'AH, POOR MAMMA! SHE WAS EVER SO MUCH PRETTIER THAN THAT!'" | [416] |
| "'TO SING LIKE THAT IS TO PRAY!'" | [422] |
| "'THE REMEMBRANCE OF THAT PALM SUNDAY!'" | [425] |
| FOR GECKO | [431] |
| "OUT OF THE MYSTERIOUS EAST" | [432] |
| "'SVENGALI!... SVENGALI!... SVENGALI!...'" | [437] |
| "TOUT VIENT À POINT, POUR QUI SAIT ATTENDRE!" | [439] |
| "I, PETE COELESTES...." | [441] |
| "PETITS BONHEURS DE CONTREBANDE" | [447] |
| ENTER GECKO | [451] |
| "'WE TOOK HER VOICE NOTE BY NOTE'" | [455] |
| THE NIGHTINGALE'S FIRST SONG | [459] |
| "'ICH HABE GELIEBT UND GELEBET!'" | [461] |
| TAIL-PIECE | [464] |