Carrel would devote at least fifteen minutes to him, and invited him often to his own private studio. And often, on the fourth and fifth day of the week, a group of admiring students would be gathered by his easel watching him as he worked.
"C'est un rude lapin, l'Anglais! au moins il sait son orthographe en peinture, ce coco-là!"
Such was the verdict on Little Billee at Carrel's studio; and I can conceive no loftier praise.
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Young as she was (seventeen or eighteen, or thereabouts), and also tender (like Little Billee), Trilby had singularly clear and quick perceptions in all matters that concerned her tastes, fancies, or affections, and thoroughly knew her own mind, and never lost much time in making it up.
On the occasion of her first visit to the studio in the Place St. Anatole des Arts, it took her just five minutes to decide that it was quite the nicest, homeliest, genialest, jolliest studio in the whole quartier latin, or out of it, and its three inhabitants, individually and collectively, were more to her taste than any one else she had ever met.