FOOTNOTES:
[1] In a view of Zurich, published A.D. 1654, these steeples are shown with octagonal spires rising above the gabled sides of the towers; the belfry stages and cupolas now existing must therefore be of a date subsequent to the publication of this view.
[2] This division is seen clearly in one of the curious prints by Merian, which illustrate a most valuable and interesting book, entitled ‘Topographia Helvetiæ,’ published at Frankfort-am-Main, A.D. 1654, and full of most picturesque and exact views of Swiss towns; they are valuable, as proving beyond all question their state in the beginning of the seventeenth century, and as being executed with very much artistic feeling. That of Chur gives the whole town in the most complete manner; the castle, the churches, the walls, and the many watch-towers, with the magnificent mountains behind them, making one of the most picturesque ensembles conceivable. Many of these views of Swiss towns are remarkable, as proving how very regularly the mediæval towns were planned whenever there was the opportunity, the streets all at right angles, and the great church and marketplace in the centre of the whole.
[3] I grieve to say it does so no longer. When I last crossed the Splügen, in 1869, this bridge had disappeared, and one of iron had been erected in its place. It was a capital example of the skilful carpentry of the old Swiss bridge-builders.
[4] Probably most travellers who pass by Chiavenna are now on their way to or from the Engadin by the beautiful Maloja pass. They will do well before they reach the top of the pass to notice on their left the ruined remains of a Gothic chapel of the fifteenth century, which may, I suppose, aspire to the honour of being at a greater height above the sea than any other Gothic church in Europe. Its architectural merit is not great, but still it has a certain value, as showing how well a simple little Gothic church looks among the wildest mountain scenery.
[5] See illustration opposite [page 104].
[6] The church was built in A.D. 1134 by Maestro Fedro.
[7] For a view of this porch, see the frontispiece of this volume.
[8] “✠ MCCCLX · MAGISTER · JOHANES · FILIUS · C · DNI · VGI · DE · CAMPILIO · FECIT · HOC · OPUS.” This Giovanni da Campione was one of a family of architects of much celebrity. See their genealogical tree in ‘Italian Sculptors’ p. 106.