BRICK AND MARBLE
IN
THE MIDDLE AGES:
Notes of Tours in the North of Italy.
BY GEORGE EDMUND STREET, RA.,
MEMBER OF THE IMPERIAL AND ROYAL ACADEMY OF THE FINE ARTS, VIENNA,
ETC. ETC.
SECOND EDITION.
WITH NUMEROUS ILLUSTRATIONS.
LONDON:
JOHN MURRAY, ALBEMARLE STREET.
1874.
[The right of Translation is reserved.]
LONDON:
PRINTED BY WILLIAM CLOWES AND SONS,
STAMFORD STREET AND CHARING CROSS.
To the Memory
OF
THE RIGHT REV. SAMUEL WILBERFORCE,
LORD BISHOP OF WINCHESTER,
ETC. ETC.,
IN TOKEN OF THE AUTHOR’S MOST SINCERE AFFECTION,
AND
IN GRATITUDE FOR NUMBERLESS BENEFITS RECEIVED FROM HIM,
THIS VOLUME,
ORIGINALLY DEDICATED TO HIM IN 1855,
IS NOW INSCRIBED.
PREFACE TO THE SECOND EDITION.
THE First Edition of this volume has been so long out of print that I had almost ceased to regard myself as responsible for all that it contains. It was the rapid and fresh summary of a happy journey undertaken in the early years of my artistic career. There were, I knew, many details in which it could easily be improved, and many journeys taken over the same ground might have enabled me to go far more into detail than I was able to do when I published it. I find, however, on reading again what I wrote so long ago, that age and greater knowledge of the subject have generally confirmed my old ideas, and that, as far as regards the principles of my book, I still believe them to be true and just. In revising what I wrote, however, I have found myself obliged to make many alterations and additions, sometimes in relation to towns not visited on my first journey, sometimes in reference to buildings either not described at all or at best insufficiently described before. In doing this I have endeavoured not to increase too much the bulk of the volume, and as far as possible not to interfere with the general character or tone of its contents, though in the process of revision the larger portion of the book has had to be re-written.
I hope, if other occupations admit of it, before long to add to this volume a second, containing notes of tours in the centre and south of Italy, undertaken with the same object of studying and describing the too little appreciated art of Italy in the Middle Ages, which seems to me to be almost equally full of interest in all parts of the Peninsula.
The materials which I have accumulated for this purpose are only too considerable, and the very richness of the subject has made me shy of approaching it; but the necessity of publishing another edition of this volume has revived my resolution to complete as soon as possible the work which I originally proposed to myself, and of which I have never lost sight. But whether I accomplish this or not, the volume which I now republish may, I hope, give a tolerably complete view of Italian Gothic architecture north of the Apennines.