Of domestic buildings there are but few traces in Soissons. The best are: a building near the west front of the cathedral, with stepped gables, central buttresses in the end, and good simple three-light windows in each bay;—a house in the Cloître S. Gervais, near the north transept of the cathedral, with a steep unpierced gable and three two-light windows in the stage just below it, and an unpierced ground story;—and an old hospital near the cathedral, of good early-pointed work, without groining, but with transverse arches from column to column,—the capitals being carved, and the arches quite square in section.
From Soissons, an excursion ought to be made to the abbey of Longpont.[25] I was not aware at the time I was there that it was in this neighbourhood, but I believe that it is only some eight or ten miles distant, and that the church is of rare interest and grandeur. I regret extremely my inability to give any notes of it.
A walk of a mile across meadows took me to the remains of the great abbey of S. Médard. These are very slight and consist of some remains of crypts, in which are preserved portions of buildings or monuments which have been dug up from time to time. An old view of S. Médard shows it surrounded by fortified walls, enclosing a vast range of buildings and two or three churches. Of all this nothing now remains, beyond a modern house, converted into an asylum for deaf and dumb, in one portion of which remains an old vaulted apartment, now used as the chapel of the institution.
From Soissons, I made my way across country to Château Coucy ... and from Coucy, I made a considerable détour to visit the abbey of Prémontré. The situation is very striking, in a narrow valley, closed in on all sides with steep, thickly-wooded hills, and with only a few dependent cottages leading up to the gate of the abbey. This was the chief house of the Premonstratensian Order, which established as many as thirty-five houses in England. The abbots of the order were bound to meet once a year at Prémontré, and as there were as many as a thousand abbeys belonging to them, the wild valley must then have presented a singular contrast to its present deserted state. Until lately the buildings have been used as a glass manufactory: but they have just been purchased by the Bishop of Soissons (who seems to have a great character for piety and liberality among the people) for an orphanage. I saw the nun who holds the post of superior of the institution, and obtained permission to search for remains of the old buildings: she seemed much surprised at my demand, and with some reason, as the only traces left of them are a portion of (I think) a crypt under the church, which has fallen with its groining, and is left a confused mass of stones, just as it fell. On my way from Prémontré, I passed, between Anizy-le-Château and Laon, a very interesting example of a village church at (I believe) Chalvour. It is cruciform, with a good central gabled tower. The chancel has single lancet windows to the east and south, and the south transept a large boldly-cusped circular window, and a small projection on the east for the altar, also lighted with a circular window. The chancel, tower, and transepts, are groined: the nave (with its aisles) is of inferior work. Altogether, this is a very characteristic thirteenth century church, of bold and vigorous character, and severely simple in all its details.
An ascent of about two miles leads up the side of the mountain, on which Laon is perched, to the western extremity of the city. And here I must pause, trusting another time to say somewhat of the architectural glories of the place, upon which I suppose I can scarcely descant too enthusiastically.
IV
The two great architectural attractions of Laon are the cathedral and its subordinate buildings, and the fine church of S. Martin. They are situated at the two extremities of the long narrow ridge on which the town is built, which towards the east falls precipitously on three sides almost from the very walls of the cathedral down to the broad vast plain which extends as far as the eye can reach, and from all parts of which the grand mass of the building, with its almost unrivalled cluster of steeples, is seen standing—just as our own glorious Lincoln—on the very spot of all others fitted for a diocesan throne.
I know no church which is altogether more calculated to leave a lasting impression on the mind than the cathedral. What is wanting in grace and delicacy is amply atoned for in force and majesty; and the completeness of the plan, the short period which seems to have elapsed between its commencement and completion, and the almost entire absence of later additions or alterations, combine to make it in every respect of the utmost value to the architectural student. The stern, solemn majesty of its art is just what we modern men ought to endeavour to impress ourselves with; but whilst I believe that all students would be enormously benefited, they must not come here under the impression that they are to see work which is pretty and attractive in the same sense or degree as S. Ouen at Rouen, or Cologne cathedral.
In plan this church has the remarkable peculiarity of a square east end, and consists of a nave and choir respectively of eleven and ten bays in length, transepts with an eastern apsidal chapel to each, a small cloister on the south side of the nave, and sacristies formed in the angles between the transepts and choir. The groining is sexpartite in the principal vaults, and quadripartite in the aisles; there is a large vaulted triforium, and the fourfold division in height to which I have already referred as a characteristic of many of the churches of this district. But the most noteworthy feature is that the three principal façades—on the west, north, and south—were each intended to have two towers and spires, whilst a lantern crowned the crossing. No less than four of these towers and the lantern still remain (though without their spires, shown in an engraving by du Sommerard), as well as the lower portion of the others. On the east and north the cathedral is enclosed with extensive ranges of coeval buildings belonging to the bishop’s palace, including the small private chapel, to which I must recur again.
Let us hear what M. Viollet-le-Duc says about the characteristics of this cathedral of Laon:[26]—“La cathédrale de Laon conserve quelque chose de son origine démocratique; elle n’a pas l’aspect religieux des églises de Chartres, d’Amiens ou de Reims. De loin, elle paraît un château plutôt qu’une église; sa nef est, comparativement aux nefs ogivales et même a celle de Noyon, basse; sa physionomie extérieure est quelque peu brutale et sauvage; et jusqu’à ces sculptures colossales d’animaux, bœufs, chevaux, qui semblent garder les sommets des tours de la façade, tout concourt à produire une impression d’effroi plutôt qu’un sentiment religieux, lorsqu’on gravit le plateau sur lequel elle s’élève. On ne sent pas, en voyant Notre Dame de Laon, l’empreinte d’une civilisation avancée et policée comme à Paris ou à Amiens; là, tout est rude, hardi: c’est le monument d’un peuple entreprenant, énergique et plein d’un mâle grandeur. Ce sont les mêmes hommes que l’on retrouve à Coucy-le-Château—c’est une race de géants.”