| Typographical errors corrected by the etext transcriber: |
|---|
| Die Christliche Künst in Spanien=> Die Christliche Kunst in Spanien {fn pgvii} |
| Simple buttresses divide the bays of the clerestory.=> Simple the buttresses divide the bays of the clerestory. {pg 126} |
| They are to be seen on a sunday=> They are to be seen on a Sunday {pg 148} |
| the onter built in 1109=> the outer built in 1109 {pg 230} |
| sarista secundas, Joannes de Boscho=> sacrista secundas, Joannes de Boscho {pg 513} |
FOOTNOTES:
[1] I have quoted this book throughout as “Cean Bermudez, Arq. de Esp.”
[2] Die Christliche Kunst in Spanien. Leipzic, 1853.
[3] España Artistica y Monumental, por Don G. P. de Villa Amil y Don P. de la Escosura. Paris, 1842.
[4] Recuerdos y Bellezas de España, por F. J. Parcerisa, 1844, &c.
[5] Monumentos Arquitectónicos de España; publicados á expensas del Estado, bajo la direccçon de una Comision especial creada por el Ministerio de Fomento.—Madrid, 1859-65, and still in course of publication.
[6] The church, at Bidart, between Bayonne and the French frontier, is quite worth going into. It has a nave about forty-five feet wide, and three tiers of wooden galleries all round its north, west, and south walls. They are quaint and picturesque in construction, and are supported by timbers jutting out upwards from the walls, not being supported at all from the floor.
[7] [Plate I.] This (as are all the other plans in this book) is made from my own rapid sketches and measurements. It is necessarily, therefore, only generally correct. But I believe that it, and all the others, will be found to be sufficiently accurate for all the purposes for which they are required. Without ground-plans it is impossible to understand any descriptions of buildings; and they are the more necessary in this case, seeing that, with the exception of very small plans of Burgos and Leon Cathedrals, there is probably no illustration of the plan of any one of the churches visited by me ever yet published in England. I have drawn all the plans to the same scale, viz., fifty feet to an inch. This is double the scale to which the plans in Mr. Fergusson’s ‘History of Architecture’ are drawn; and though it would facilitate a comparison of the Spanish with other ground-plans illustrated by him to have them on the same scale, I found it impossible to show all that I wanted in so very small a compass.