[422] See [frontispiece]. In so small an engraving—putting out of view the extreme difficulty of getting a faithful transcript of a careful sketch of sculpture—it is impossible to do justice to such a work; and I must ask my readers rather to accept my statement than to pass judgment by aid only of the illustration.

[423] See p. [283], and illustrations on ground-plan, [Plate XV.]

[424] See p. [366].

[425] See p. [381].

[426] See p. [215].

[427] See ground-plan, [Plate IV.]

[428] See illustration of this battlement at Las Huelgas, No. 4, page 38, and on the walls at Veruela, No. 48, page 384.

[429] ‘Annals of the Artists of Spain,’ 1848.

[430] The paintings at Leon seem to me to be such as one might expect at the hands of Dello Delli. He is said to have made Seville his place of residence during the many years that he spent in Spain. But the period of his abode there is just that during which the paintings at Leon were executed.

[431] See the short account of these painters in Mr. Stirling’s ‘Annals of the Artists of Spain,’ vol. i. chap. ii.