"The study is the pet room, the temple of the Muses and the Delphic shrine. The beautiful carpet lays the foundation of its charms, and the oak woodwork harmonizes with the tint in which Endymion is painted. At last I have Endymion where I always wanted it—in my husband's study, and it occupies one whole division of the wall. In the corner on that side stands the pedestal with Apollo on it, and there is a fountain-shaped vase of damask and yellow roses. Between the windows is the Transfiguration [given by Mr. Emerson]. (The drawing-room is to be redeemed with one picture only,—Correggio's Madonna and Christ.) On another side of the Study are the two Lake Comos. On another, that agreeable picture of Luther and his family around the Christmas-tree, which Mr. George Bradford gave to Mr. Hawthorne. Mr. Emerson took Julian to walk in the woods, the other afternoon. I have no time to think what to say, for there is a dear little mob around me. Baby looks fairest of fair to-day. She walks miles about the house."
No words but her own do justice to the happiness of her married life. She worshiped her husband, who always remained to her that combination of adorable genius and tender lover and strong man that he had been ten years before when they were wedded. He had been on his part as devoted to her, and especially he had never allowed the burden of poverty to fall upon her in any physical hardship. In the absence of servants, for example, he himself did the work, and would not permit her to task herself with it. He was never a self-indulgent man, except toward his genius; he had early learned the lesson of "doing without," as the phrase is, and she describes him as being "as severe as a Stoic about all personal comforts" and says he "never in his life allowed himself a luxury." Her testimony to his household character is a remarkable tribute, nor does it detract from it to remember that it is an encomium of love:—
"He has perfect dominion over himself in every respect, so that to do the highest, wisest, loveliest thing is not the least effort to him, any more than it is to a baby to be innocent. It is his spontaneous act, and a baby is not more unconscious in its innocence. I never knew such loftiness, so simply borne. I have never known him to stoop from it in the most trivial household matter, any more than in a larger or more public one. If the Hours make out to reach him in his high sphere, their wings are very strong. But I have never thought of him as in time, and so the Hours have nothing to do with him. Happy, happiest is the wife who can bear such and so sincere testimony to her husband after eight years' intimate union. Such a person can never lose the prestige which commands and fascinates. I cannot possibly conceive of my happiness, but, in a blissful kind of confusion, live on. If I can only be so great, so high, so noble, so sweet, as he in any phase of my being, I shall be glad."
This was written in the Berkshire days, but it represents her habitual feeling at all times; and now, in the pleasant society of Concord and among the scenes which were endeared to their memory as those of their early married life, this strain of happiness often overflows in her letters like a flood of sunshine. "All that ground," she writes of the neighborhood of the Old Manse, "is consecrated to me by unspeakable happiness; yet not nearly so great happiness as I now have, for I am ten years happier in time, and an uncounted degree happier in kind. I know my husband ten years better, and I have not arrived at the end; for he is still an enchanting mystery, beyond the region I have discovered and made my own. Also, I know partly how happy I am, which I did not well comprehend ten years ago."
One scene, out of scores that are contained in her correspondence, is too pretty and characteristic to miss, and, besides, serves by a single glimpse to give the home life of this new Concord sojourn with great vividness, yielding—what is the hardest of all to obtain in such intimate views—its quality, like a tone of color. It describes Hawthorne's return from a three weeks' absence at the Isles of Shoals during which he had also attended his class reunion at Bowdoin:—
"I put the vase of delicious rosebuds, and a beautiful China plate of peaches and grapes, and a basket of splendid golden Porter apples on his table; and we opened the western door and let in a flood of sunsetting. Apollo's 'beautiful disdain' seemed kindled anew. Endymion smiled richly in his dream of Diana. Lake Como was wrapped in golden mist. The divine form in the Transfiguration floated in light. I thought it would be a pity if Mr. Hawthorne did not come that moment. As I thought this, I heard the railroad-coach—and he was here. He looked, to be sure, as he wrote in one of his letters, 'twice the man he was.'"
Earlier in the summer this happy home had been shadowed by the tragedy of the death of Hawthorne's sister, Louisa, who was lost in a steamship disaster on the Hudson. Like all such natures, Hawthorne took his griefs hard and in loneliness; but in such a home healing influences were all about him, and even such a sorrow, which he deeply felt, could only add another silence to his life. His summer work, to which he had turned with reluctance and had rapidly finished by the end of August, was the campaign biography of Franklin Pierce, his life-long friend, who was now a candidate for the Presidency. It is a brief but sufficient book, [Footnote: Life of Franklin Pierce. By Nathaniel Hawthorne. Boston: Ticknor, Reed and Fields. 1852. Pp. 144. 12mo.] done well though without distinction, and it holds no real place among his works. Much adverse criticism has, however, been made upon him for writing it at all. It is thought that as a man of letters he lost dignity by using his skill for a political end, and also that as a Northerner he placed himself upon the wrong side in the important public questions then coming to a great national crisis. This is an unjust view. It has already become plain, in the course of the story of his life, that he was not a reformer nor in any real sympathy with reform. He was not only not an abolitionist, which in itself, in view of the closeness of his association with the friends of the cause, argues great immobility in his character; he was, on the contrary, a Democrat in national politics, and took the party view of the slavery question, not with any energy, but placidly and stolidly, so far as one can judge. In fact he took little or no interest in the matter. There was no objection in his mind to writing the biography because of Pierce's political position; he did not hesitate on that score. He did not hang back, on the other hand, because he felt that he could not tell the truth about his friend in a book pledged to see only the good in him. He was as honest as the granite, so far as that is concerned; and he respected as well as loved his friend, and was quite willing to serve him by showing his life and character as he knew them. He had no intention to deceive any one by a eulogy. He indulged in no illusions about Pierce, nor about any of his other friends. He was, in fact, an unsparing critic of men's characters, and he had a trait, not rare in New England,—a willingness to underrate men and minimize them. His fellow-citizens are not natural hero-worshipers; to them "a man is a man, for a' that," with an accent that levels down as well as up. Hawthorne had to the full this democratic, familiar, derogatory temper. Pierce was to him a politician, just as Cilley had been, and for politicians as a class he had a well-defined contempt. He believed Pierce to be a man of honor, sagacity, and tact, a true man, not great in any way, but quite the equal of other men in the country and fit in ability, experience, and character to be President, if his fellow-citizens desired him to serve in that office. The biography Hawthorne wrote contains no conscious untruth. It cannot be thought that Hawthorne compromised with himself either with regard to the national question involved or to the personal character of the candidate. His reluctance to write the book had no deeper root than a dislike to seem to be paid for doing it by an office. He knew that Pierce would provide him with a lucrative post in any case; and the public would say that office was his pay. The prospect of this situation was so irksome to him that he decided beforehand to refuse the office, since he preferred rather to do that than to decline the request of his friend to oblige him with his literary service at such a crisis of his career. It is unjust to Hawthorne to suppose that the act had any political complexion, or was anything else than a mere piece of friendliness, natural and proper in itself; his association with the political group, of which Pierce was one, did not proceed from principle, but was an accident of college companionship; the fact is, however strange it may seem, he had no politics, but stood apart from the great antislavery cause just as he did from the transcendental philosophy; neither of these two main movements in the life of his times touched him at all in a personal way. It belongs to the shallowness of his objection to undertake the biography, his dislike to take office as a kind of pay, that it was easily removed. Fields very sensibly persuaded him that he should not neglect so favorable an opportunity to provide for his wife and children, who had no support but his life. When the newly elected President, therefore, offered him the best office in his gift, the Liverpool consulate, Hawthorne decided to take it. The nomination was confirmed March 26, 1853; and, after sending "Tanglewood Tales" to the press, which had been his winter's work, he prepared to leave Concord for a long residence abroad.
VII.
LIFE ABROAD.
Hawthorne left the Wayside home with a good deal of regret for its quiet happiness, and yet with pleasant anticipations of the opportunity of seeing foreign countries. He had the roaming instinct; and, though he had almost completed fifty years of life, its satisfaction had been of the slightest. It is necessary to recall how very little he had seen of the world in order to appreciate at all the way in which England and Italy looked to his middle-aged eyes, the points in which they failed to appeal to him as well as those in which they arrested his interest. With all his love, or at least sentiment, for the sea, this was the first voyage he had made, and finding himself a good sailor he enjoyed it immensely. It was the next thing to commanding a ship himself upon his ancestral element, and he felt the mystery and distance and that vague impression of indefinite time that belong to the ocean atmosphere,—the wish to sail on and on forever. In Liverpool, where he arrived in July, he was plunged at once into a confused mass of new impressions and also into the very mundane duties and surroundings of the consulate.