For the rest, we are a little merrier than usual. Rex Gascoigne—you remember a head you admired among my sketches, a fellow with a good upper lip, reading law—has got some rooms in town now not far off us, and has had a neat sister (upper lip also good) staying with him the last fortnight. I have introduced them both to my mother and the girls, who have found out from Miss Gascoigne that she is cousin to your Vandyke duchess!!! I put the notes of exclamation to mark the surprise that the information at first produced on my feeble understanding. On reflection I discovered that there was not the least ground for surprise, unless I had beforehand believed that nobody could be anybody’s cousin without my knowing it. This sort of surprise, I take it, depends on a liveliness of the spine, with a more or less constant nullity of brain. There was a fellow I used to meet at Rome who was in an effervescence of surprise at contact with the simplest information. Tell him what you would—that you were fond of easy boots—he would always say, “No! are you?” with the same energy of wonder: the very fellow of whom pastoral Browne wrote prophetically,
“A wretch so empty that if e’er there be
In nature found the least vacuity
’Twill be in him.”
I have accounted for it all—he had a lively spine.
However, this cousinship with the duchess came out by chance one day that Mirah was with them at home and they were talking about the Mallingers. Apropos; I am getting so important that I have rival invitations. Gascoigne wants me to go down with him to his father’s rectory in August and see the country round there. But I think self-interest well understood will take me to Topping Abbey, for Sir Hugo has invited me, and proposes—God bless him for his rashness! —that I should make a picture of his three daughters sitting on a bank—as he says, in the Gainsborough style. He came to my studio the other day and recommended me to apply myself to portrait. Of course I know what that means.—“My good fellow, your attempts at the historic and poetic are simply pitiable. Your brush is just that of a successful portrait-painter—it has a little truth and a great facility in falsehood—your idealism will never do for gods and goddesses and heroic story, but it may fetch a high price as flattery. Fate, my friend, has made you the hinder wheel—rota posterior curras, et in axe secundo—run behind, because you can’t help it.” —What great effort it evidently costs our friends to give us these candid opinions! I have even known a man to take the trouble to call, in order to tell me that I had irretrievably exposed my want of judgment in treating my subject, and that if I had asked him we would have lent me his own judgment. Such was my ingratitude and my readiness at composition, that even while he was speaking I inwardly sketched a Last Judgment with that candid friend’s physiognomy on the left. But all this is away from Sir Hugo, whose manner of implying that one’s gifts are not of the highest order is so exceedingly good-natured and comfortable that I begin to feel it an advantage not to be among those poor fellows at the tip-top. And his kindness to me tastes all the better because it comes out of his love for you, old boy. His chat is uncommonly amusing. By the way, he told me that your Vandyke duchess is gone with her husband yachting to the Mediterranean. I bethink me that it is possible to land from a yacht, or to be taken on to a yacht from the land. Shall you by chance have an opportunity of continuing your theological discussion with the fair Supralapsarian—I think you said her tenets were of that complexion? Is Duke Alphonso also theological?—perhaps an Arian who objects to triplicity. (Stage direction. While D. is reading, a profound scorn gathers in his face till at the last word he flings down the letter, grasps his coat-collar in a statuesque attitude and so remains with a look generally tremendous, throughout the following soliloquy, “O night, O blackness, etc., etc.”)
Excuse the brevity of this letter. You are not used to more from me than a bare statement of facts, without comment or digression. One fact I have omitted—that the Klesmers on the eve of departure have behaved magnificently, shining forth as might be expected from the planets of genius and fortune in conjunction. Mirah is rich with their oriental gifts.
What luck it will be if you come back and present yourself at the Abbey while I am there! I am going to behave with consummate discretion and win golden opinions, But I shall run up to town now and then, just for a peep into Gad Eden. You see how far I have got in Hebrew lore—up with my Lord Bolingbroke, who knew no Hebrew, but “understood that sort of learning and what is writ about it.” If Mirah commanded, I would go to a depth below the tri-literal roots. Already it makes no difference to me whether the points are there or not. But while her brother’s life lasts I suspect she would not listen to a lover, even one whose “hair is like a flock of goats on Mount Gilead”—and I flatter myself that few heads would bear that trying comparison better than mine. So I stay with my hope among the orchard-blossoms.—Your devoted,
HANS MEYRICK.
Some months before, this letter from Hans would have divided Deronda’s thoughts irritatingly: its romancing, about Mirah would have had an unpleasant edge, scarcely anointed with any commiseration for his friend’s probable disappointment. But things had altered since March. Mirah was no longer so critically placed with regard to the Meyricks, and Deronda’s own position had been undergoing a change which had just been crowned by the revelation of his birth. The new opening toward the future, though he would not trust in any definite visions, inevitably shed new lights, and influenced his mood toward past and present; hence, what Hans called his hope now seemed to Deronda, not a mischievous unreasonableness which roused his indignation, but an unusually persistent bird-dance of an extravagant fancy, and he would have felt quite able to pity any consequent suffering of his friend’s, if he had believed in the suffering as probable. But some of the busy thought filling that long day, which passed without his receiving any new summons from his mother, was given to the argument that Hans Meyrick’s nature was not one in which love could strike the deep roots that turn disappointment into sorrow: it was too restless, too readily excitable by novelty, too ready to turn itself into imaginative material, and wear its grief as a fantastic costume. “Already he is beginning to play at love: he is taking the whole affair as a comedy,” said Deronda to himself; “he knows very well that there is no chance for him. Just like him—never opening his eyes on any possible objection I could have to receive his outpourings about Mirah. Poor old Hans! If we were under a fiery hail together he would howl like a Greek, and if I did not howl too it would never occur to him that I was as badly off as he. And yet he is tender-hearted and affectionate in intention, and I can’t say that he is not active in imagining what goes on in other people—but then he always imagines it to fit his own inclination.”
With this touch of causticity Deronda got rid of the slight heat at present raised by Hans’s naive expansiveness. The nonsense about Gwendolen, conveying the fact that she was gone yachting with her husband, only suggested a disturbing sequel to his own strange parting with her. But there was one sentence in the letter which raised a more immediate, active anxiety. Hans’s suspicion of a hidden sadness in Mirah was not in the direction of his wishes, and hence, instead of distrusting his observation here, Deronda began to conceive a cause for the sadness. Was it some event that had occurred during his absence, or only the growing fear of some event? Was it something, perhaps alterable, in the new position which had been made for her? Or—had Mordecai, against his habitual resolve, communicated to her those peculiar cherished hopes about him, Deronda, and had her quickly sensitive nature been hurt by the discovery that her brother’s will or tenacity of visionary conviction had acted coercively on their friendship—been hurt by the fear that there was more of pitying self-suppression than of equal regard in Deronda’s relation to him? For amidst all Mirah’s quiet renunciation, the evident thirst of soul with which she received the tribute of equality implied a corresponding pain if she found that what she had taken for a purely reverential regard toward her brother had its mixture of condescension.
In this last conjecture of Deronda’s he was not wrong as to the quality in Mirah’s nature on which he was founding—the latent protest against the treatment she had all her life being subject to until she met him. For that gratitude which would not let her pass by any notice of their acquaintance without insisting on the depth of her debt to him, took half its fervor from the keen comparison with what others had thought enough to render to her. Deronda’s affinity in feeling enabled him to penetrate such secrets. But he was not near the truth in admitting the idea that Mordecai had broken his characteristic reticence. To no soul but Deronda himself had he yet breathed the history of their relation to each other, or his confidence about his friend’s origin: it was not only that these subjects were for him too sacred to be spoken of without weighty reason, but that he had discerned Deronda’s shrinking at any mention of his birth; and the severity of reserve which had hindered Mordecai from answering a question on a private affair of the Cohen family told yet more strongly here.