Fancy an assemblage where the men had all that ordinary stamp of the well-bred Englishman, watching the entrance of Herr Klesmer—his mane of hair floating backward in massive inconsistency with the chimney-pot hat, which had the look of having been put on for a joke above his pronounced but well-modeled features and powerful clear-shaven mouth and chin; his tall, thin figure clad in a way which, not being strictly English, was all the worse for its apparent emphasis of intention. Draped in a loose garment with a Florentine berretta on his head, he would have been fit to stand by the side of Leonardo de Vinci; but how when he presented himself in trousers which were not what English feeling demanded about the knees?—and when the fire that showed itself in his glances and the movements of his head, as he looked round him with curiosity, was turned into comedy by a hat which ruled that mankind should have well-cropped hair and a staid demeanor, such, for example, as Mr. Arrowsmith’s, whose nullity of face and perfect tailoring might pass everywhere without ridicule? One feels why it is often better for greatness to be dead, and to have got rid of the outward man.
Many present knew Klesmer, or knew of him; but they had only seen him on candle-light occasions when he appeared simply as a musician, and he had not yet that supreme, world-wide celebrity which makes an artist great to the most ordinary people by their knowledge of his great expensiveness. It was literally a new light for them to see him in—presented unexpectedly on this July afternoon in an exclusive society: some were inclined to laugh, others felt a little disgust at the want of judgment shown by the Arrowpoints in this use of an introductory card.
“What extreme guys those artistic fellows usually are!” said young Clintock to Gwendolen. “Do look at the figure he cuts, bowing with his hand on his heart to Lady Brackenshaw—and Mrs. Arrowpoint’s feather just reaching his shoulder.”
“You are one of the profane,” said Gwendolen. “You are blind to the majesty of genius. Herr Klesmer smites me with awe; I feel crushed in his presence; my courage all oozes from me.”
“Ah, you understand all about his music.”
“No, indeed,” said Gwendolen, with a light laugh; “it is he who understands all about mine and thinks it pitiable.” Klesmer’s verdict on her singing had been an easier joke to her since he had been struck by her plastik.
“It is not addressed to the ears of the future, I suppose. I’m glad of that: it suits mine.”
“Oh, you are very kind. But how remarkably well Miss Arrowpoint looks to-day! She would make quite a fine picture in that gold-colored dress.”
“Too splendid, don’t you think?”
“Well, perhaps a little too symbolical—too much like the figure of Wealth in an allegory.”