Among the remonstrant dancing men, however, Mr. Grandcourt was not numbered. After standing up for a quadrille with Miss Arrowpoint, it seemed that he meant to ask for no other partner. Gwendolen observed him frequently with the Arrowpoints, but he never took an opportunity of approaching her. Mr. Gascoigne was sometimes speaking to him; but Mr. Gascoigne was everywhere. It was in her mind now that she would probably after all not have the least trouble about him: perhaps he had looked at her without any particular admiration, and was too much used to everything in the world to think of her as more than one of the girls who were invited in that part of the country. Of course! It was ridiculous of elders to entertain notions about what a man would do, without having seen him even through a telescope. Probably he meant to marry Miss Arrowpoint. Whatever might come, she, Gwendolen, was not going to be disappointed: the affair was a joke whichever way it turned, for she had never committed herself even by a silent confidence in anything Mr. Grandcourt would do. Still, she noticed that he did sometimes quietly and gradually change his position according to hers, so that he could see her whenever she was dancing, and if he did not admire her—so much the worse for him.
This movement for the sake of being in sight of her was more direct than usual rather late in the evening, when Gwendolen had accepted Klesmer as a partner; and that wide-glancing personage, who saw everything and nothing by turns, said to her when they were walking, “Mr. Grandcourt is a man of taste. He likes to see you dancing.”
“Perhaps he likes to look at what is against his taste,” said Gwendolen, with a light laugh; she was quite courageous with Klesmer now. “He may be so tired of admiring that he likes disgust for variety.”
“Those words are not suitable to your lips,” said Klesmer, quickly, with one of his grand frowns, while he shook his hand as if to banish the discordant sounds.
“Are you as critical of words as of music?”
“Certainly I am. I should require your words to be what your face and form are—always among the meanings of a noble music.”
“That is a compliment as well as a correction. I am obliged for both. But do you know I am bold enough to wish to correct you, and require you to understand a joke?”
“One may understand jokes without liking them,” said the terrible Klesmer. “I have had opera books sent me full of jokes; it was just because I understood them that I did not like them. The comic people are ready to challenge a man because he looks grave. ‘You don’t see the witticism, sir?’ ‘No, sir, but I see what you meant.’ Then I am what we call ticketed as a fellow without esprit. But, in fact,” said Klesmer, suddenly dropping from his quick narrative to a reflective tone, with an impressive frown, “I am very sensible to wit and humor.”
“I am glad you tell me that,” said Gwendolen, not without some wickedness of intention. But Klesmer’s thoughts had flown off on the wings of his own statement, as their habit was, and she had the wickedness all to herself. “Pray, who is that standing near the card-room door?” she went on, seeing there the same stranger with whom Klesmer had been in animated talk on the archery ground. “He is a friend of yours, I think.”
“No, no; an amateur I have seen in town; Lush, a Mr. Lush—too fond of Meyerbeer and Scribe—too fond of the mechanical-dramatic.”