Letter to John Blackwood, 21st Mch. 1867.
Your letters, with the valuable enclosure of a check for £2166 13s. 4d., have come to me this morning, and I am much obliged to you for your punctual attention.
I long to see a specimen of the cheap edition of the novels. As to the illustrations, I have adjusted my hopes so as to save myself from any great shock. When I remember my own childish happiness in a frightfully illustrated copy of the "Vicar of Wakefield," I can believe that illustration may be a great good relatively, and that my own present liking has no weight in the question.
I fancy that the placarding at railway stations is an effective measure, for Ruskin was never more mistaken than in asserting that people have no spare time to observe anything in such places. I am a very poor reader of advertisements, but even I am forced to get them unpleasantly by heart at the stations.
It is rather a vexatious kind of tribute when people write, as my American correspondent did, to tell me of one paper-covered American copy of "Felix Holt" brought to Europe and serving for so many readers that it was in danger of being worn away under their hands. He, good man, finds it easy "to urge greater circulation by means of cheap sale," having "found so many friends in Ireland anxious but unable to obtain the book." I suppose putting it in a yellow cover with figures on it, reminding one of the outside of a show, and charging a shilling for it, is what we are expected to do for the good of mankind. Even then I fear it would hardly bear the rivalry of "The Pretty Milliner," or of "The Horrible Secret."
The work connected with Spain is not a romance. It is—prepare your fortitude—it is—a poem. I conceived the plot, and wrote nearly the whole as a drama in 1864. Mr. Lewes advised me to put it by for a time and take it up again, with a view to recasting it. He thinks hopefully of it. I need not tell you that I am not hopeful, but I am quite sure the subject is fine. It is not historic, but has merely historic connections. The plot was wrought out entirely as an incorporation of my own ideas. Of course, if it is ever finished to my satisfaction, it is not a work for us to get money by, but Mr. Lewes urges and insists that it shall be done. I have also my private projects about an English novel, but I am afraid of speaking as if I could depend on myself; at present I am rather dizzy, and not settled down to home habits of regular occupation.
I understand that the conveyancer who wrote to the Pall Mall is an excellent lawyer in his department, and the lecturer on Real Property at the Law Institution.
If a reviewer ever checked himself by considering that a writer whom he thinks worth praising would take some pains to know the truth about a matter which is the very hinge of said writer's story, review articles would cut a shrunken figure.
Journal, 1867.
May 5.—We went to Bouverie Street to hear the first of a course of lectures on Positivism, delivered by Dr. Congreve. There were present seventy-five people, chiefly men.