“Let me try to give him some wine,” said Romola, coming forward. She loosened the small flask which she carried at her belt, and, leaning towards the prostrate body, with a deft hand she applied a small ivory implement between the teeth, and poured into the mouth a few drops of wine. The stimulus acted: the wine was evidently swallowed. She poured more, till the head was moved a little towards her, and the eyes of the old man opened full upon her with the vague look of returning consciousness.

Then for the first time a sense of complete recognition came over Romola. Those wild dark eyes opening in the sallow deep-lined face, with the white beard, which was now long again, were like an unmistakable signature to a remembered handwriting. The light of two summers had not made that image any fainter in Romola’s memory: the image of the escaped prisoner, whom she had seen in the Duomo the day when Tito first wore the armour—at whose grasp Tito was paled with terror in the strange sketch she had seen in Piero’s studio. A wretched tremor and palpitation seized her. Now at last, perhaps, she was going to know some secret which might be more bitter than all that had gone before. She felt an impulse to dart away as from a sight of horror; and again, a more imperious need to keep close by the side of this old man whom, the divination of keen feeling told her, her husband had injured. In the very instant of this conflict she still leaned towards him and kept her right-hand ready to administer more wine, while her left was passed under his neck. Her hands trembled, but their habit of soothing helpfulness would have served to guide them without the direction of her thought.

Baldassarre was looking at her for the first time. The close seclusion in which Romola’s trouble had kept her in the weeks preceding her flight and his arrest, had denied him the opportunity he had sought of seeing the Wife who lived in the Via de’ Bardi: and at this moment the descriptions he had heard of the fair golden-haired woman were all gone, like yesterday’s waves.

“Will it not be well to carry him to the steps of San Stefano?” said Romola. “We shall cease then to stop up the street, and you can go on your way with your bier.”

They had only to move onward for about thirty yards before reaching the steps of San Stefano, and by this time Baldassarre was able himself to make some efforts towards getting off the bier, and propping himself on the steps against the church-doorway. The charitable brethren passed on, but the group of interested spectators, who had nothing to do and much to say, had considerably increased. The feeling towards the old man was not so entirely friendly now it was quite certain that he was alive, but the respect inspired by Romola’s presence caused the passing remarks to be made in a rather more subdued tone than before.

“Ah, they gave him his morsel every day in the Stinche—that’s why he can’t do so well without it. You and I, Cecco, know better what it is to go to bed fasting.”

Gnaffè! that’s why the Magnificent Eight have turned out some of the prisoners, that they may shelter honest people instead. But if every thief is to be brought to life with good wine and wheaten bread, we Ciompi had better go and fill ourselves in Arno while the water’s plenty.”

Romola had seated herself on the steps by Baldassarre, and was saying, “Can you eat a little bread now? perhaps by-and-by you will be able, if I leave it with you. I must go on, because I have promised to be at the hospital. But I will come back if you will wait here, and then I will take you to some shelter. Do you understand? Will you wait? I will come back.”

He looked dreamily at her, and repeated her words, “come back.” It was no wonder that his mind was enfeebled by his bodily exhaustion, but she hoped that he apprehended her meaning. She opened her basket, which was filled with pieces of soft bread, and put one of the pieces into his hand.

“Do you keep your bread for those that can’t swallow, madonna?” said a rough-looking fellow, in a red night-cap, who had elbowed his way into the inmost circle of spectators—a circle that was pressing rather closely on Romola.