Tito knew him; but he did not know whether it was life or death that had brought him into the presence of his injured father. It might be death—and death might mean this chill gloom with the face of the hideous past hanging over him for ever.

But now Baldassarre’s only dread was, lest the young limbs should escape him. He pressed his knuckles against the round throat, and knelt upon the chest with all the force of his aged frame. Let death come now!

Again he kept his watch on the face. And when the eyes were rigid again, he dared not trust them. He would never lose his hold till some one came and found them. Justice would send some witness, and then he, Baldassarre, would declare that he had killed this traitor, to whom he had once been a father. They would perhaps believe him now, and then he would be content with the struggle of justice on earth—then he would desire to die with his hold on this body, and follow the traitor to hell that he might clutch him there.

And so he knelt, and so he pressed his knuckles against the round throat, without trusting to the seeming death, till the light got strong and he could kneel no longer. Then he sat on the body, still clutching the neck of the tunic. But the hours went on, and no witness came. No eyes descried afar off the two human bodies among the tall grass by the riverside. Florence was busy with greater affairs, and the preparation of a deeper tragedy.

Not long after those two bodies were lying in the grass, Savonarola was being tortured, and crying out in his agony, “I will confess!”

It was not until the sun was westward that a waggon drawn by a mild grey ox came to the edge of the grassy margin, and as the man who led it was leaning to gather up the round stones that lay heaped in readiness to be carried away, he detected some startling object in the grass. The aged man had fallen forward, and his dead clutch was on the garment of the other. It was not possible to separate them: nay, it was better to put them into the waggon and carry them as they were into the great Piazza, that notice might be given to the Eight.

As the waggon entered the frequented streets there was a growing crowd escorting it with its strange burden. No one knew the bodies for a long while, for the aged face had fallen forward, half hiding the younger. But before they had been moved out of sight, they had been recognised.

“I know that old man,” Piero di Cosimo had testified. “I painted his likeness once. He is the prisoner who clutched Melema on the steps of the Duomo.”

“He is perhaps the same old man who appeared at supper in my gardens,” said Bernardo Rucellai, one of the Eight. “I had forgotten him. I thought he had died in prison. But there is no knowing the truth now.”

Who shall put his finger on the work of justice, and say, “It is there”? Justice is like the Kingdom of God—it is not without us as a fact, it is within us as a great yearning.