“Silenzio!” said Bardo, in a loud agitated voice, while Romola half started from her chair, clasped her hands, and looked round at Tito, as if now she might appeal to him. Monna Brigida gave a little scream, and bit her lip.
“Donna!” said Bardo, again, “hear once more my will. Bring no reports about that name to this house; and thou, Romola, I forbid thee to ask. My son is dead.”
Bardo’s whole frame seemed vibrating with passion, and no one dared to break silence again. Monna Brigida lifted her shoulders and her hands in mute dismay; then she rose as quietly as possible, gave many significant nods to Tito and Romola, motioning to them that they were not to move, and stole out of the room like a culpable fat spaniel who has barked unseasonably.
Meanwhile, Tito’s quick mind had been combining ideas with lightning-like rapidity. Bardo’s son was not really dead, then, as he had supposed: he was a monk; he was “come back:” and Fra Luca—yes! it was the likeness to Bardo and Romola that had made the face seem half-known to him. If he were only dead at Fiesole at that moment! This importunate selfish wish inevitably thrust itself before every other thought. It was true that Bardo’s rigid will was a sufficient safeguard against any intercourse between Romola and her brother; but not against the betrayal of what he knew to others, especially when the subject was suggested by the coupling of Romola’s name with that of the very Tito Melema whose description he had carried round his neck as an index. No! nothing but Fra Luca’s death could remove all danger; but his death was highly probable, and after the momentary shock of the discovery, Tito let his mind fall back in repose on that confident hope.
They had sat in silence, and in a deepening twilight for many minutes, when Romola ventured to say—
“Shall I light the lamp, father, and shall we go on?”
“No, my Romola, we will work no more to-night. Tito, come and sit by me here.”
Tito moved from the reading-desk, and seated himself on the other side of Bardo, close to his left elbow.
“Come nearer to me, figliuola mia,” said Bardo again, after a moment’s pause. And Romola seated herself on a low stool and let her arm rest on her father’s right knee, that he might lay his hand on her hair, as he was fond of doing.
“Tito, I never told you that I had once a son,” said Bardo, forgetting what had fallen from him in the emotion raised by their first interview. The old man had been deeply shaken, and was forced to pour out his feelings in spite of pride. “But he left me—he is dead to me. I have disowned him for ever. He was a ready scholar as you are, but more fervid and impatient, and yet sometimes rapt and self-absorbed, like a flame fed by some fitful source; showing a disposition from the very first to turn away his eyes from the clear lights of reason and philosophy, and to prostrate himself under the influences of a dim mysticism which eludes all rules of human duty as it eludes all argument. And so it ended. We will speak no more of him: he is dead to me. I wish his face could be blotted from that world of memory in which the distant seems to grow clearer and the near to fade.”