THE APPROACH OF TOTALITY.
The next thing to think about and to look out for is the approach of the Moon’s shadow. I have mentioned this already,[14] and also the appalling velocity with which it seems to approach. By this time the coming darkness, which characterises every total phase, will have reached an advanced stage of development. The darkness begins to be felt. The events which manifest themselves at this juncture on the Earth (rather than in the sky around the Sun) are so graphically described by the American writer whom I have already quoted, and who writes, moreover, from personal experience, that I cannot do better than transfer her striking account to my pages.[15] “Then, with frightful velocity, the actual shadow of the Moon is often seen approaching, a tangible darkness advancing almost like a wall, swift as imagination, silent as doom. The immensity of nature never comes quite so near as then, and strong must be the nerves not to quiver as this blue-black shadow rushes upon the spectator with incredible speed. A vast, palpable presence seems overwhelming the world. The blue sky changes to gray or dull purple, speedily becoming more dusky, and a death-like trance seizes upon everything earthly. Birds, with terrified cries, fly bewildered for a moment, and then silently seek their night-quarters. Bats emerge stealthily. Sensitive flowers, the scarlet pimpernel, the African mimosa, close their delicate petals, and a sense of hushed expectancy deepens with the darkness. An assembled crowd is awed into absolute silence almost invariably. Trivial chatter and senseless joking cease. Sometimes the shadow engulfs the observer smoothly, sometimes apparently with jerks; but all the world might well be dead and cold and turned to ashes. Often the very air seems to hold its breath for sympathy; at other times a lull suddenly awakens into a strange wind, blowing with unnatural effect. Then out upon the darkness, gruesome but sublime, flashes the glory of the incomparable corona, a silvery, soft, unearthly light, with radiant streamers, stretching at times millions of uncomprehended miles into space, while the rosy, flaming protuberances skirt the black rim of the Moon in ethereal splendour. It becomes curiously cold, dew frequently forms, and the chill is perhaps mental as well as physical. Suddenly, instantaneous as a lightning flash, an arrow of actual sunlight strikes the landscape, and Earth comes to life again, while corona and protuberances melt into the returning brilliance, and occasionally the receding lunar shadow is glimpsed as it flies away with the tremendous speed of its approach.”
In connection with the approach of the Moon’s shadow, it is to be noted that at totality the heavens appear in a certain sense to descend upon the Earth. If an observer is looking upwards towards the zenith over his head, he will see the clouds appear to drop towards the Earth, and the surrounding gloom seems also to have the effect of vitiating one’s estimate of distances. To an observer upon a high hill, a plain below him appears to become more distant. Although what has been called the descent of the clouds (that is to say their appearance of growing proximity) is most manifest immediately before the totality, yet a sense of growing nearness may sometimes be noticed a very considerable time before the total phase is reached.
Whilst on the subject of clouds, it may be mentioned that although there is in the vault of heaven generally during the total phase an appreciable sensation of black darkness, more or less absolute, that is to say, either blackish or greyish, yet in certain regions of the sky, (generally in the direction of the horizon) the clouds, when there are any, often exhibit colours in strata, orange hue below and red above, with indigo or grey or black higher up still, right away to the Sun’s place. The cause of these differences is to be found in the fact that the lower part of the atmosphere within the area of the Moon’s shadow is, under the circumstances in question, illuminated by light which having passed through many miles of atmosphere near to the Earth’s surface, has lost much from the violet end of its spectrum, leaving an undue proportion of the red end.
On certain occasions iridescent or rainbow-tinted clouds may be seen in the vicinity of the Sun, either before, or during, or after totality, depending on circumstances unknown. Such clouds have been observed at all these three stages of a total eclipse. The effects of course are atmospheric, and have no physical connection with either Sun or Moon.
THE DARKNESS OF TOTALITY.
With respect to the general darkness which prevails during totality, great discrepancies appear in the accounts, not only as between different eclipses, but in respect of the same eclipse observed by different people at different places. Perhaps the commonest test applied by most observers is that of the facility or difficulty of reading the faces of chronometers or watches. Sometimes this is done readily, at other times with difficulty. In India in 1868, one observer stated that it was impossible to recognise a person’s face three yards off, and lamplight was needed for reading his chronometer. On the other hand in Spain in 1860, it was noted that a thermometer, as well as the finest hand-writing, could be read easily. The foregoing remarks apply to the state of things in the open air. In 1860, it was stated that inside a house in Spain the darkness was so great that people moving about had to take great care lest they should run violently against the household furniture.
Perhaps on the whole it may be said that the darkness of an ordinary totality is decidedly greater than that of a full Moon night.
Many observers have noted during totality that even when there has not been any very extreme amount of absolute darkness, yet the ruddy light already mentioned as prevailing towards the horizon often gives rise to weird unearthly effects, so that the faces of bystanders assume a sickly livid hue not unlike that which results from the light of burning salt.