Eclipses of the Moon, though more often and more widely visible than eclipses of the Sun, do not offer by any means the same variety of interesting or striking phenomena to the mere star-gazer, and it was long thought that they were in a certain sense of no use to science. Now, however, astronomers are inclined to utilise them for determining the diameter of the Moon by noting occultations[116] of stars by the Moon, the duration of a star’s invisibility behind an eclipsed Moon being a measure of the lunar diameter when such an observation is properly transformed and “reduced.” Observations of the heat radiated (or rather reflected) by an eclipsed Moon have also been made with the interesting result of showing that during an eclipse the Moon’s power to reflect solar heat to the Earth sensibly declines.

The duration of an eclipse of the Moon is dependent on its magnitude. Where the eclipse is total the darkness, or what counts for such, may last for nearly 4 hours, though this is an extreme limit rarely attained. An eclipse of from 6 to 12 digits (to use the old-fashioned nomenclature which has been already explained) will continue from 2½ to 3½ hours. An eclipse of 3 to 6 digits will last 2 or 3 hours, and a smaller eclipse only 1 or 2 hours. The visual observations to be made in connection with partial or total eclipses of the Moon chiefly relate to the appearances presented by our satellite when immersed in the Earth’s shadow. On such occasions, as has been already stated, it frequently happens that the Moon does not wholly disappear, but may be detected either with a telescope or even without one. It may exhibit either a dull grey appearance, or more commonly a pinkish-red hue to which the designation “coppery” is generally applied. Perhaps the most remarkable instance of this was the eclipse of March 19, 1848.

Mr. Forster who observed the phenomenon at Bruges thus describes[117] what he saw:—“I wish to call your attention to the fact which I have clearly ascertained, that during the whole of the late eclipse of March 19 the shaded surface presented a luminosity quite unusual, probably about three times the intensity of the mean illumination of the eclipsed lunar disc. The light was of a deep red colour. During the totality of the eclipse the light and dark places on the face of the Moon could be almost as well made out as on an ordinary dull moonlight night, and the deep red colour where the sky was clearer was very remarkable from the contrasted whiteness of the stars. My observations were made with different telescopes, but all presented the same appearance, and the remarkable luminosity struck everyone. The British Consul at Ghent, who did not know there was an eclipse, wrote to me for an explanation of the blood-red colour[118] of the Moon at 9 o’clock.”

In striking contrast to this stands the total eclipse of Oct. 4, 1884, which is described by Mr. E. J. Stone[119] as “much the darkest that I have ever seen, and just before the instant of totality it appeared as if the Moon’s surface would be invisible to the naked eye during totality; but such was not the case, for with the last appearance of the bright reflected sunlight there appeared a dim circle of light around the Moon’s disc, and the whole surface became faintly visible, and continued so until the end of totality.”

A total eclipse of the Moon which happened on January 28, 1888, was observed in many places under exceptionally favourable circumstances as regards weather. The familiar copper colour is spoken of by many observers. The Rev. S. J. Perry makes mention[120] of patches of colour even as bright as “brick red, almost orange in the brighter parts,” and this, 20 minutes before the total phase began. Mr. Perry conducted on this occasion spectroscopic observations for the first time on an eclipsed Moon, but no special results were obtained.

Various explanations have been offered for these diversities of appearance. Undoubtedly they depend upon differences in the condition of the Earth’s atmosphere, such as the unusual presence or unusual absence of aqueous vapour; but it cannot be said that the laws which control these diversities are by any means capable of being plainly enunciated, notwithstanding that the explanation generally in vogue dates from as far back as the time of Kepler. He suggested that the coppery hue was a result of the refraction of the Earth’s atmosphere which had the effect of bending the solar rays passing through it, so that they impinged upon the Moon even when the Earth was actually interposed between the Sun and the Moon. That the outstanding rays which became visible are red may be considered due to the fact that the blue rays are absorbed in passing through the terrestrial atmosphere, just as both the eastern and western skies are frequently seen to assume a ruddy hue when illuminated in the morning or evening by the solar rays at or near sunrise or sunset.

Owing to the variable meteorological condition of our atmosphere, the actual quantity of light transmitted through it is liable to considerable fluctuations, and no wonder therefore that variations occur in the appearances presented by the Moon during her immersion in the Earth’s shadow.

It has been suggested that if the portion of the Earth’s atmosphere through which the Sun’s rays have to pass is tolerably free from aqueous vapour, the red rays will be almost wholly absorbed, but not the blue rays; and the resulting illumination will either only render the Moon’s surface visible with a greyish blue tinge, or not visible at all. This will yield the “black eclipse”—to recall the phrase quoted elsewhere. If, on the other hand, the region of the Earth’s atmosphere through which the Sun’s rays pass be highly saturated, it will be the blue rays which suffer absorption, whilst the red rays will be transmitted and will impart a ruddy hue to the Moon. Finally, if the Earth’s atmosphere is in a different condition in different places, saturated in some parts and not in others, a piebald sort of effect will be the result, and some portions of the Moon’s disc will be invisible, whilst others will be more or less illuminated. Further illustrations of all these three alternatives will be found amongst the eclipses of the Moon recorded in the chapter[121] devoted to historical matters.

A few instances are on record of a curious spectacle connected with eclipses of the Moon which must have a word of mention. I refer to the simultaneous visibility of the Sun and the Moon above the horizon, the Moon at the time being eclipsed. At the first blush of the thing this would seem to be an impossibility, remembering that it is a cardinal principle of eclipses, both of the Sun and of the Moon, that the three bodies must be in the same straight line in order to constitute an eclipse. The anomalous spectacle just referred to is simply the result of the refraction exercised by the Earth’s atmosphere. The setting Sun which has actually set has apparently not done so, but is displaced upwards by refraction. On the other hand, the rising Moon which has not actually risen is displaced upwards by refraction and so becomes, as it were, prematurely visible. In other words, refraction retards the apparent setting of one body, the Sun, and accelerates the apparent rising of the other body, the Moon. The effect of these two displacements will be to bring the two bodies closer by more than 1° of a great circle than they really are, this being the conjoint amount of the double displacements due to refraction.

Amateur observers of eclipses of the Moon will find some pleasure, and profit as well, in having before them on the occasion of an eclipse a picture of the Moon’s surface in diagrammatic form with a few of the principal mountains marked thereon; and then watching from time to time (say by quarters of an hour) the successive encroachments of the Earth’s shadow on the Moon’s surface and the gradual covering up of the larger mountains as the shadow moves forward. The curved lines represent the gradual progress of the shadow during the eclipse named. This diagram, ignoring the curved lines actually marked on it, may be used over and over again for any number of eclipses, simply noting from the Nautical Almanac or other suitable ephemerides the points on the Moon’s disc at which the shadow first touches the disc as it comes on, and last touches the disc as it goes off. The Almanac indicates these points by stating that the eclipse begins, or ends, as the case may be, at a point which is so many degrees from the N. point of the Moon measured round the Moon’s circumference by the E. or by the W. as the case may be.