'Really? And you think we are all equal? We are all equally discontented, 'tis true enough; mais après?' She struck the balustrade lightly with her letter. 'Do you see the water beating against that wall of rock, Signor de' Rossi? Twice a day the tide comes in, and before the waves can climb half-way up the cliff, twice a day the tide goes out. 'Tis the same way with the people's anger—ebb and flow. And the greatest storm can only wet the rocks; it can't uproot them. What do you Italians know about such things? But I, I am a Russian, and I know.' She looked out to sea again. 'When the waves beat too fiercely against the shore the rock breaks them,' she said.
Then she looked at Dino tranquilly. 'I have heard the Marchese Gasparo speak of you; he takes an interest in you. It would be a pity if you should disappoint him,' she added, and moved away slowly with a careless bend of her head.
Dino stood as she had left him for a long moment, holding his hat in his hand, the wind just ruffling the thick hair on his forehead, gazing fixedly out to sea. He stood like a man under the influence of some spell. Then, as he looked up and caught the curious glance of the Countess' companion fixed full upon him, he hastily replaced his hat and turned away.
Just outside the gate he came upon Valdez with a roll of music in his hand, going about his work. Dino nodded to him; he would not stop to speak. The older man slackened his pace, looking at him rather sadly, as if he were sorry for something, then passed on. Afterwards it struck Dino that they had never happened to pass one another in this silent way before. He stopped, looking down the long street at the old familiar figure. But what had they to say to each other now, even if he should turn and overtake him? Dino was like a man under sentence of death; all the minor obligations of life seemed annulled and suspended; where they clung still it was by force of habit, like the withering tendrils of a vine cut down at the root.
A great impatience of trouble had fallen upon him: he wanted no more emotion, no more effort. There was a clear fortnight, perhaps three weeks, before—before he would be sent to Rome. Well! he wanted that time to himself, and he intended to have it, he intended to be happy. The first great shock of the surprise was over: his nature had already re-adjusted itself to these new conditions with the supple strength of youth. And in this fixed interval of quiet—this interval, which seemed all the longer by very reason of its being fixed,—all the light, joy-loving instincts of his age were alert within him, making music in his heart, like the rapturous song of birds between two storms. The habit of life, its careless young incredulity of the end, had never been more strong upon him; he had never felt more irresponsible; had never looked, perhaps had never been more like his father, than on that morning, as he turned down from the broad sunny Passeggiata towards old Drea's house on the quay.
CHAPTER VII.
ITALIA.
Seen by daylight, the entrance to Drea's house was not unlike the entrance of a cave. The house itself was in a corner of the canal, flush with the water, below the level of the street, and consisted of two rooms—the long, large entrance room where the table had been laid for the birthday supper, and another much smaller chamber beyond, which belonged to Italia, and was lighted by a very small round window like the port-hole of a ship, which looked out upon the water on the other side of the bridge. The whole place indeed had been originally designed for a Government boat-house and store-house, and was sunk in the thickness of the massive stone pier.
On a sunny morning like this, when the door was thrown wide open, any painter passing that way would have been charmed by the mysterious look of the interior, the dark raftered ceiling, the smoke-embrowned fireplace, above which a row of bright brass plates made round spots of light in the darkness, and then the heavy coils of rope and the spare oars, arranged with all a sailor's habit of neatness, against the whitewashed wall. At dusk, and when the fire was burning, it was like looking at an interior of Rembrandt's to watch the play of light and shadow over the rich ruddy brown tones of the room; but on this particular morning the fire had been allowed to sink to a mere handful of red embers, and the room was full of the fresh smell of the sea air and the brightness of the March sunshine.