These, nevertheless, were the men whose hardy enterprise opened to commerce and the plough the vast and fertile regions of the West. Rough and savage though they were, they were the true pioneers of that extraordinary tide of civilisation which has poured its resistless current through tracts large enough for kings to govern, over a country now teeming with cultivation, where, a few short years ago, countless herds of buffalo roamed unmolested, where the bear and deer abounded, and the savage Indian skulked through the woods and prairies, lord of the unappreciated soil that now yields its prolific treasures to the spade and plough of civilised man. To the wild and half-savage trapper, who may be said to exemplify the energy, enterprise, and hardihood characteristic of the American people, divested of all the false and vicious glare with which a high state of civilisation, too rapidly attained, has obscured their real and genuine character, in which the above traits are eminently prominent—to these men alone is due the empire of the West—destined in a few short years to become the most important of those confederate states composing the mighty union of North America.
Sprung, then, out of the wild and adventurous fur trade, St Louis, still the emporium of that species of commerce, preserves even now, in the character of its population, many of the marked peculiarities distinguishing its early founders, who were identified with the primitive Indian in hardihood and instinctive wisdom. Whilst the French portion of the population retain the thoughtless levity and frivolous disposition of their original source, the Americans of St Louis, who may lay claim to be native, as it were, are as strongly distinguished for determination and energy of character as they are for physical strength and animal courage; and are remarkable, at the same time, for a singular aptitude in carrying out commercial enterprises to successful terminations, apparently incompatible with the thirst of adventure and excitement which forms so prominent a feature in their character. In St Louis and with her merchants have originated many commercial enterprises of gigantic speculation, not confined to the immediate locality or to the distant Indian fur trade, but embracing all parts of the continent, and even a portion of the Old World. And here it must be remembered that St Louis is situated inland, at a distance of upwards of one thousand miles from the sea, and three thousand from the capital of the United States.
Besides her merchants and upper class, who form a little aristocracy even here, a large portion of her population, still connected with the Indian and fur trade, preserve all their original characteristics, unacted upon by the influence of advancing civilisation. There is, moreover, a large floating population of foreigners of all nations, who must possess no little amount of enterprise to be tempted to this spot, whence they spread over the remote western tracts, still infested by the savage; so that, if any of their blood is infused into the native population, the characteristic energy and enterprise is increased, and not tempered down by the foreign cross.
But perhaps the most singular of the casual population are the mountaineers, who, after several seasons spent in trapping, and with good store of dollars, arrive from the scene of their adventures, wild as savages, determined to enjoy themselves, for a time, in all the gaiety and dissipation of the western city. In one of the back streets of the town is a tavern well known as the “Rocky-Mountain House,” and hither the trappers resort, drinking and fighting as long as their money lasts, which, as they are generous and lavish as Jack Tars, is for a few days only. Such scenes, both tragic and comic, as are enacted in the Rocky-Mountain House, are beyond the powers of pen to describe; and when a fandango is in progress, to which congregate the coquettish belles from “Vide Poche,” as the French portion of the suburb is nicknamed,—the grotesque endeavours of the bear-like mountaineers to sport a figure on the light fantastic toe, and their insertions into the dance of the mystic jumps of Terpsichorean Indians when engaged in the “medicine” dances in honour of bear, of buffalo, or ravished scalp,—are such startling innovations on the choreographic art as would make the shade of Gallini quake and gibber in his pumps.
Passing the open doors and windows of the Mountain House, the stranger stops short as the sounds of violin and banjo twang upon his ears, accompanied by extraordinary noises—sounding unearthly to the greenhorn listener, but recognised by the initiated as an Indian song roared out of the stentorian lungs of a mountaineer, who patting his stomach with open hands, to improve the necessary shake, choruses the well-known Indian chant:—
Hi—Hi—Hi—Hi,
Hi-i—Hi-i—Hi-i—Hi-i
Hi-ya—hi-ya—hi-ya—hi-ya
Hi-ya—hi-ya—hi-ya—hi-ya
Hi-ya—hi-ya—hi—hi,