The portrait of the Duchesse de Montpensier (1627–1693), the “Grande Mademoiselle” of Mme. de Sévigné’s letters, is from the “Maximes de nostre salut,” dedicated to the duchess by the author, M. de la Serre, and is attributed to Nicolas Jarry. It represents the duchess wearing a beautiful necklace of round pearls and a large pear-shaped pearl earring, while another pear-shaped pearl depends from a clasp which serves to loop up her fichu on the shoulder.
A fine example of the Renaissance style existing in the sixteenth century is that of a gold and enamel necklace of Italian workmanship, embellished with pearls. This necklace was presented to the Louvre Museum by Don A. de Rotschildt. The two-pearl motive is carried out exquisitely, two pearls appearing in a small connecting ornament between two larger enameled and engraved gold plaques, which represent scenes from the life of our Saviour.
At the exposition of 1900 there was shown in the Russian Pavilion, a most interesting collection of jewelry of decidedly oriental character, dating from the sixteenth to the eighteenth century. These jewels were said to have belonged to the Emir of Bokhara. They differed slightly from the East Indian in character, and generally consisted of combinations of pearls, rubies, and emeralds, the three colors of these gems predominating. One of the most interesting of the necklaces, acquired by J. Gelatley, Esq., shows an arrangement of the pearls which is peculiarly attractive and decorative.
The heraldic significance of pearls has at times been very important. While in the eighteenth century the crowns of the French nobles were surmounted with silver points, it appears that in the sixteenth century they were provided with pearl points. According to Rudolphus,[[477]] the dukes wore a leaf crown of eight leaves, with or without as many commingled pearl points; the marquises a crown of four leaves with twelve pearl points, or with four groups of three pearls set one over the other; and the counts, a pearl crown which sometimes had four pearls in each corner, one above the other. The viscounts wore a gold ring set with four pearls, and the barons a gold ring entwined with pearls.
The same is true of the English coronets. Instead of the pearls which they bore at an earlier period, silver balls are now used on those of the English barons, viscounts, earls, and marquises. This change probably owed its origin to the desire on the part of the sovereigns to confine the official use of pearls and other precious stones to themselves. The rules at the coronation of Edward VII forbade the use of pearls except as a special royal privilege. The earl’s coronet has eight balls raised on points, with gold strawberry leaves between the points. The marquis wears one with four gold strawberry leaves and four silver balls alternating, the latter raised above the rim.[[478]]
A pearl and gold ring, formerly belonging to Washington, is now in the possession of Vice-Chancellor E. B. Learning, of Camden, N. J. It bears in the center a lock of Washington’s hair under a conical glass, around which is a setting of blue and white enamel with a square of red at each corner. The whole is surrounded by a circle of thirteen pearls. This ring was presented by Washington to Lieutenant Richard Somers prior to the latter’s departure on the expedition against the Algerine pirates in Tripoli, in the course of which he lost his life. Before his departure he left the ring with his sister, Sarah Keen. Vice-Chancellor Leaming’s paternal grandmother inherited it as heir to Somers’s estate, and from her it descended successively to her son and grandson. The lock of Washington’s hair is admitted to be one of only three now existing, of the other two, one is at Washington’s headquarters at Newburg and the other in the museum at Boston. The ring was exhibited at the Centennial Exposition in 1876.
And what a wealth of pearls was seen at the marriage of the late Emperor Frederick III of Germany with Princess Victoria, in 1858! The wedding gift of the bridegroom consisted of a necklace of thirty-six enormous pearls, three superb ones in the middle, and graduated in size toward the ends. From her mother, Queen Victoria, the bride received a diamond necklace and three massive brooches set with unusually large pearls; and from Prince Albert, a magnificent hair-net of pearls, diamonds, and emeralds. The king and queen of Prussia presented a diadem of brilliants surrounded with a splendid circlet of pearls. On the day of her entry into Berlin, the queen bestowed on the bride a costly brooch of pearls and diamonds, representing a bouquet, the leaves of which consisted of diamonds, while the flowers themselves were of pear-shaped pearls of large size, one weighing 160 grains, and fourteen of them weighing 600 grains together.
One of the most splendid and best known collection of pearls, and one worn with as much grace as any in Europe, consists of those owned by the dowager Queen Margherita of Italy, whose name signifies pearl, and who has always been fond of the ocean jewel. Her husband, King Humbert, made her many presents of this regal gem. A photograph, signed by the queen and sent to us for this volume by her gracious courtesy, shows her wearing her magnificent twelve strings of pearls, a pearl bracelet, and a pearl tiara with pear-shaped pearl tips.
MARGHERITA, DOWAGER QUEEN OF ITALY