The old custom of exchanging rings and betrothal vows obtains in the Russian branch of the Eastern Church. For the succeeding marriage ceremony, or “crowning,” the same rings are again used. The rubric states that the bride’s ring should be of silver to show that she is the less honorable vessel, while the bridegroom’s ring is of gold to signify the superiority of the man. The brides, however, have shown a disposition to resent this inequality, and, in modern times at least, they are given gold rings also. The old Russian custom is for the husband to wear his ring on his forefinger.[353]

In the Greek and Russian churches, the rings—of gold for the man, of silver for the woman—are bestowed at the betrothal ceremony, when also a contract between the parties is made. The later nuptial ceremony is generally designated as “the crowning,” a crown being placed on the heads of bride and bridegroom by the officiating priest.

The question was often raised whether the mere fact of giving or accepting a ring constituted a definite promise of marriage. The best authorities decided the question in the negative. In reference to this matter Peter Müller writes: “If when a ring is given there is no promise of marriage, the ring shall not be regarded as a betrothal ring, but as a simple gift. Whence it may be inferred that a contract of marriage cannot be proved by a ring alone, since mere donations, bestowed through liberality, do not produce any obligation.”[354]

The connection between the wedding ring and the bestowal of earnest-money is clearly indicated in the marriage service as given in the Prayer-Book of Edward VI. Here, after the words “with this ring I thee wed,” there is added: “This gold and silver I give thee”; and at these words the bridegroom usually placed in the bride’s hands a purse containing a sum of money. There can, indeed, be little doubt that the espousal ring was rather the type of a valuable consideration offered at the consummation of the marriage contract, than a symbol of the bondage and subjection of the spouse as many have maintained.

That the ring was sometimes given conditionally is shown by a curious old German formula to the following effect: “I give you this ring as a sign of the marriage which has been promised between us, provided your father gives with you a marriage portion of 1000 reichsthalers.”[355]

It is not possible to indicate with any precision at what date the betrothal ring became the wedding ring, but this change seems to have taken place in England about the time of the Reformation. This did not, however, entail the abandonment of the betrothal ring, but rather the substitution of another, and frequently less simple ring, to mark the betrothal. Of course, the change was gradual and the usage varied in different countries, since the employment of a separate marriage ring was rather a matter of custom than of ecclesiastical ordinance.

The Manx usages and customs are so strange in many cases that the ring traditions of the Isle of Man also present certain peculiarities. Thus if a man was found guilty of having done injury to a maiden, the latter was given a sword, a rope and a ring, signifying that she could either have him beheaded, or hung, or else could force him to wed her. That the last-mentioned choice was the one most frequently made is very probable, as the rehabilitation of her good name thus attained might well outweigh any satisfaction to be gained from the exercise of revenge.[356]

The use of rush-rings in England, in 1217, for mock marriages, is vouched for in the “Constitutiones”[357] of Richard, Bishop of Salisbury. It is provided that whoever places a rush-ring, or a ring of cheap or precious material, in sport and jest upon a woman’s hand, that she shall the more willingly become friendly with him, although imagining himself to be joking will be constrained to marry. Another authority declares that when the ecclesiastical court enforced matrimony as a penalty or a reparation for bad conduct, a rush ring or a ring of straw was used at the ceremony.[358]

There are several passages in English poetry of the Elizabethan age and later, referring to this use of a “rush ring.” In his “Two Noble Kinsmen,” Fletcher writes:

Rings she made