Four thin shell rings from the Indian adobe ruins near Phoenix, Arizona, explored in 1898
Courtesy of Mr. Warren K. Moorehead
NAVAJO SILVERSMITH OF ARIZONA, KOCH-NE-BI-KI-BITSILLY, CALLED “CHARLEY,” MAKING RINGS AT GRAND CANYON, ARIZONA
So few finger-rings of the Indian aborigines, who once inhabited the present territory of the United States, have been brought to light, that some authorities have been disposed to deny the existence of any relics of this kind. Among the rare discoveries may be noted a copper ring found in one of the Indian mounds near Chillicothe, Ross County, Ohio. This ring has been made by bending a short copper rod until the ends overlapped and then pounding them as closely together as possible. It is only large enough for a child’s finger, and among the remains of fifteen Indians found in this particular mound were those of a child.[41] A few stone rings, presumably for wear on the finger, have been met with in Indian graves in the Scioto Valley, Ohio, in Kentucky, in Tennessee and also in Arizona, New Mexico and California. An ornamental stone ring from Kentucky was evidently a finger-ring, as are also some others of the stone rings.[42]
A shell ring from the adobe ruins near Phœnix, Arizona, in the Salado Valley, shows the skill of the primitive Indians of this region in ring-making. Art in shell is pronounced by Dr. Warren K. Moorehead to be characteristic of the early Indian peoples of this valley, the shell material, which is found in great profusion in the ruins and in the desert, having come here either because of trade relations with the Indians of the sea-coast, or as a result of frequent journeys by some of the Salado peoples to the distant salt water. The discovery of shell frogs in the so-called “City of the Dead” in this valley, by Prof. Frank H. Cushing, some thirty years ago, was at first received with considerable incredulity, but since then several have been unearthed by successive explorers. Shell and bone implements with turquoise inlays occur both in Arizona and New Mexico.[43] The shell ring we have just noted, is unusually well formed, the projection at the upper part having a form suggestive of a finished bezel, thus rendering the ring a harmonious and attractive adornment for the hand. This interesting specimen was brought to light in 1898, with a few other shell rings. An Indian copper finger ring was unearthed, in the same year, in a grave forming part of a cemetery at the mouth of the Wabash River, southern Indiana. More recently, in 1912, what is believed to have been a stone ring was taken by Doctor Moorehead from the Red Paint Indian cemetery at Orland, Maine.[44]
The proficiency of the Navajo and Pueblo Indians of New Mexico as silversmiths is shown by the fact that there are from fifty to seventy-five Indians regularly occupied in this way at present, while several hundred others are more or less familiar with the art and work occasionally. The average pay is so much by the ounce, fifty cents for bracelets, conchos, etc., and seventy-five cents for rings, plus twenty-five cents for each and every setting. It has been estimated that a Navajo silversmith, if he find steady work, may earn as much as $125 a month. This, however, is rarely the case, as they are not fond of overwork, and when they have earned a little sum in ten or fifteen days, they will lay off until it is spent and they are again forced to resume their tasks. Of the more industrious, who might be willing to work uninterruptedly, many are quite prosperous, owning flocks of sheep or other live stock, or else farm land, which must be attended to in preference to the jewellery industry.
One of the best of these Indian ring-makers is Koch-Ne-Bi-Ki Bitsilly, called Charley for short. He finds regular employment in the Grand Canyon shop at Albuquerque, N. M., for several months in each year, devoting the remainder of his time to the care of his sheep and other property. He is pronounced to be above the average in intelligence, energy and initiative. Other silversmiths are: Asidi Yashe, Charlie Hogan, Charlie Largo, Malapai, Bigay and Hastin Nez.
Of the stones used for ring-settings, garnets are never employed except at the special request of a trader; rarely, roughly-cut peridots are set in rings. Turquoise from New Mexico, is the favorite stone, although a little Persian turquoise is occasionally brought in by the traders and set in Navajo rings. In early times the turquoise supply came from the deposits near Cerrillos, now known as the Tiffany Mine,[45] which furnished the material for all the turquoise ornaments in the ruins at Chaco Canyon and elsewhere. In the manufacture of rings these silversmiths frequently make a number at the same time, first fashioning all the hoops, and then adding the design to the hoops, after which the cups for the settings are added to the series. An industrious worker will be able to finish up as many as a dozen rings on this plan in three days, whereas, when special care is to be exercised in making a single ring, a whole day’s work will be required. From four to five thousand rings are made annually in New Mexico and Arizona.
As metal working was unknown to the Navajos, as well as to the other Indians of the Southwest before the advent of the white man, it seems most probable that silver jewellery was not made by these Indians until Spanish silver coins reached them. The Navajos are believed to have acquired their knowledge of jewellery-making from the Pueblo Indians who were the first to undertake it. Prior to this there was massive work in copper probably due to influences from the North. The Spanish derivation of the silver-working is proven by the old Spanish methods used; the bellows is Spanish-Moorish. No reference either to the making or the use of jewellery before recent times by the Navajos is believed to exist. As an indication of the source of the silver used, the Hopi name of this metal is shiba, the literal meaning of the word being “a little round, white cake,” an apt designation of a silver coin. In the total absence of archæological evidence as to the Navajos, Dr. Walter Hough is decidedly of the opinion that silver work among the tribe is of comparatively recent date. A few of the Navajo finger-rings in the National Museum in Washington are at least old enough to show considerable signs of wear.[46]