Rings inscribed with names of Three Kings, or Magi: Melchior, Jasper and Balthazar. Worn as talismanic rings
Fairholt’s “Rambles of an Artist”
1, toad swallowing a serpent; 2, toadstone with embossed figure of toad; 3, massive thumb-ring set with teeth of an animal
Londesborough Collection
Fairbolt’s “Rambles of an Artist”
1, talismanic ring that opens when the stone setting (ruby and amethyst) is pressed down, releasing a spring. Hoop inscribed with names of spirits and magic signs; 2, ring set with a ruby; 3, gold enameled ring said to have belonged to Frederick the Great
Fairholt’s “Rambles of an Artist”
For some reason or other zodiac rings, that is rings bearing zodiacal symbols, seem to be especially favored by the modern goldsmiths of the Portuguese island Madeira. Occasionally a ring of this type from earlier times may be seen there; one of these, of crude workmanship and much the worse for wear, has been attributed to the time of a twelfth-century duke of Burgundy, whose crusading expedition did not extend much beyond the frontiers of Portugal.[543] More than likely Moorish influence, or that of the Orient at least, was a determining factor, for the study of zodiacal influences was eagerly pursued in Spain in the thirteenth century and earlier, as is witnessed by the curious Lapidario of Alfonso X, the Wise, composed in the latter half of that century. The survivance of this style in Madeira depends quite probably upon one of those rather inexplicable chances that cause the production of a certain class of jewels or ornaments, when a curious or unusual example strikes some tourist’s fancy, and he shows it to friends at home; these in their turn will ask for it when they go to the same place, thus creating a demand and a local fashion. Rings of this kind are brought from Madeira by sailors and travelling jewellers, and are found at a number of places, including the west coast of Africa.