To work for a living.
Saturday’s talismanic gem: the amethyst.
No gems have afforded more interest to the Oriental peoples than those that are known as phenomenal gems; that is, such as exhibit a phenomenal quality, either as a moving line as in the chrysoberyl cat’s-eye, or the quartz cat’s-eye, or as a star, a class represented by the star-sapphire and the star-ruby, all these being considered to bring good fortune to the wearer. A splendid star-sapphire is in the hilt of the sword presented as an Easter gift to King Constantine of Greece, then Prince Constantine, by the Greeks of America, on Easter Day 1913.[438] This ornate and beautiful sword was made by Tiffany & Co. Then there is the alexandrite cat’s-eye which, in addition to its chatoyant effect, changes from green to red, showing its natural color by day and glowing with a ruddy hue by artificial light. The cat’s-eye effect here is caused by a twinning of the crystal; that is, when the gem is cut, with a dome, across the twinning line, this shows itself as a smooth band of white light, with a translucent or transparent space at one side, the line varying in sharpness and in breadth as the illumination becomes more intense. If the light is very bright, the line is no wider than the thinnest possible silver or platinum wire.
The quartz cat’s-eye, less distinct than the chrysoberyl cat’s-eye, is also found in the East, and possesses the property that when cut straight across, an apparent striation in the stone produces the cat’s-eye effect, but the material is not so rich or brilliant nor is the gem as beautiful as is the true cat’s-eye. The alexandrite variety of chrysoberyl is colored by chromium and is dichroitic, appearing green when viewed in one direction and red in another; in artificial light, however, the green color is lost and the red alone becomes apparent.
The moonstone, with its moonlike, silvery-white light, changes on the surface as the light varies. This is due to a chatoyancy produced by a reflection caused by certain cleavage planes present in feldspar of the variety to which the moonstone belongs.
PHENOMENAL GEMS FOR THE DAYS OF THE WEEK
| Sunday | Sunstone |
| Monday | Moonstone |
| Tuesday | Star sapphire |
| Wednesday | Star ruby |
| Thursday | Cat’s-eye |
| Friday | Alexandrite |
| Saturday | Labradorite |
Fashion in some parts of the Orient dictates the use of special colors for raiment and jewels to be worn on the different days of the week. In Siam deep red silks and rubies are appropriate for Sunday wear; white fabrics and moonstones are prescribed for Monday; light red garments and coral ornaments are favored for Tuesday; striped stuffs and jewels set with the cat’s-eye are considered the proper wear for Wednesday; green materials and emeralds are decreed for Thursday; silver-blue robes and ornaments set with diamonds are chosen for Friday, and on Saturday those who obey the dictates of fashion are clad in dark blue garments and wear sapphires of a similar hue.
Our age is not satisfied with the marvellous progress of science, which has rendered possible the realization of many of the old magicians’ dreams. In spite of this there seems to be a growing tendency to revive many of the old beliefs which appeared to have been definitely discarded; therefore we need not be surprised that the nineteenth century offers us a work on the magic art, written precisely in the spirit that animated an Agrippa or a Porta in the fifteenth and sixteenth centuries.[439] This work gives elaborate directions as to the manner in which the “Magus” should proceed to perform his magic rites.
Each day has its special and peculiar ritual. Sunday is the day for the “Works of Light,” and on this day a purple robe should be worn and a tiara and bracelets of gold; the ring placed on the finger of the operator should be of gold and set with a chrysolite or a ruby. A white robe with silver stripes is to be worn on Monday, the day of the “Works of Divination and Mystery,” and the high-priest of the mysteries wears over his robe a triple necklace of pearls, “crystals,” and selenites; the tiara should be covered with yellow silk, and bear in silver characters the Hebrew monogram of Gabriel, as given by Cornelius Agrippa in his “Occult Philosophy.” Tuesday is assigned to the “Works of Wrath,” and on this day the robe must be red, the color of fire and blood, with a belt and bracelets of steel; the tiara should have a circlet of iron, and a sword or a stylus is to be used in place of a wand; the ring is set with an amethyst. The day for the “Works of Science” is Wednesday, when a green robe is worn and a necklace of hollow glass beads, filled with quicksilver; the ring is adorned with an agate. On Thursday, appointed for the “Works of Religion or Politics,” a scarlet robe is worn; upon the forehead of the operator is bound a plate of tin, engraved with the symbol of the planet Jupiter and various mystic characters; the ring bears either an emerald or a sapphire. Friday, the day of Venus, is naturally dedicated to the “Works of Love,” and the celebrant wears a sky-blue robe; his ring shows a turquoise, and his tiara is set with lapis-lazuli and beryl. The “Works of Mourning” belong to Saturday, when a black or a brown robe is worn, embroidered in orange-colored silk with mystic characters; from the neck of the operator hangs a leaden medal, bearing the symbol of the planet Saturn, and on his finger is a ring set with an onyx, upon which a double-faced Janus has been engraved while Saturn was in the ascendant.