And stab or poison to evade,
In wit and wisdom to improve,
And be victorious in love.[461]
These manifold influences exerted by the stars and planets through the medium of the gems, not only concerned those actually present in a material form, but also those that were seen in dreams, and interpretations of such dreams are given by old writers.
STATUETTE KNOWN AS THAT OF SAINTE FOY, IN THE ABBEY-CHURCH AT CONQUES, DEPT. AVEYRON, FRANCE.
It is studded with precious and semi-precious stones and engraved gems, dating from various epochs, the pious offerings of those whose prayers have been answered. The figure is 85 cm. (33½ inches) high and is of gold in a core of wood. Probably of the tenth century. Two of the four crystal balls adorning the seat are said to replace golden doves. Rock-crystal was especially dedicated to the moon.
Many Oneirocritica, or “dream-books,” were written or compiled in the early centuries of our era, one of the most noted being the work of Artemidorus, who flourished in the second century A.D. Every object seen in a dream was given a special meaning, and it is interesting to note that Artemidorus believed dreams of rings or other ornaments, as well as of precious stones, to be of favorable significance only for women. Such dreams indicated marriage for unmarried women, and the birth of children for those already married. If a woman was both wife and mother when she saw sparkling jewels in her dream, then the vision portended the acquisition of great wealth. Artemidorus here sagely remarks that women are by nature devoted to riches and passionately fond of ornaments. For men, on the other hand, to dream of jewels was an ill omen; probably because it foreshadowed the necessity of buying them for a good friend or a faithful wife.[462]
Another of these dream-books, probably composed in the eighth century A.D., appears under the name of Achametis and is of Arabic origin. Many of the interpretations in this book are referred to a Hindu source, and among these are visions of crowns that appear to kings. Such a dream, in itself, usually portended increased power and success for the sovereign, but this depended upon the color and character of the jewels which adorned the crown. For example, we read that if the gems were red and of the kind known as lychnites (carbuncles or rubies), the dream indicated that the king would have great joy and good fortune and would be more feared by his enemies than before; but if he saw blue gems in the crown, it was a bad omen, foreshadowing the loss of part of his kingdom. If the stones were of a light green hue (the color of the leek), the king would gain a great name in the world, both by his good faith and by the greatness of his kingdom; for, the writer adds, “this color in precious stones is universally accepted as signifying good-faith and religious devotion to God.”[463]