The magic of jewels and charms

by George Frederick Kunz

[312]. Wilson, “The Three Ladies of London,” 1584. The three female characters are symbolical or allegorical and are named respectively, Lucre, Love, and Conscience.

[313]. From MS. of Borch’s lectures of 1685, in the Royal Library at Copenhagen, Thottske Collection, 744; cited in Axel Garboe’s “Kulturhistoriske Studier over Ædelstene,” Kobenhavn og Kristiania, 1915, p. 215.

[314]. “Der Römisch Kaiserlichen Akademie der Naturforscher ... Abhandlungen, Siebenter Theil,” Nürnberg, 1759, pp. 162, 163.

[315]. Valmont de Bomare, “Dictionnaire raisonné universel,” Paris, 1775, vol. iii, p. 118.

[316]. Walsh, “Curiosities of Popular Customs,” Philadelphia, 1911, p. 624.

[317]. MacCulloch, “Religion of the Ancient Celts,” Edinburgh, 1911, p. 332.

[318]. Garbe, “Die indische Mineralien”; Naharari’s “Rajanighaṇṭu,” Varga XIII, Leipzig, 1882, p. 83.

[319]. Johannis Braunii, “De vestitu sacerdotum Hebræorum,” Amstelodami, 1680, p. 659; citing pseudo-Dioscorides.

[320]. Aldrovandi, “Museum metallicum,” Bononiæ, 1648, p. 972.

[321]. Andræ Baccii, “De gemmis et lapidibus pretiosis,” Francofurti, 1603, p. 68. Note of Gabelchover to his Latin version of the original Italian.