"How terrible!" said Una.
"It was, really, but it was a kind of poetic canine justice, you know. The Pekingese just stared at Scotty and stared without wagging his tail. Very impolite, not wagging your tail at a luncheon. Scotty grew embarrassed and angry and then—just took him at a gulp. It was the easiest way out."
"Or in," I suggested.
"Scotty is naturally polite. He never could abide a tail that wouldn't wag."
"Nor can I," said Una with a laugh. "Dogs' tails must be meant to wag, or what are they there for? I wish people had tails and then you could tell whether they were pleasant or not."
"Some of 'em have," said Jack. "Hoofs too—and horns."
"I don't believe that," she laughed.
Jerry took no animated part in the conversation except when we spoke of Una's work. Then he waxed eloquent until Una stopped him. Mrs. Habberton, I think, watched Jerry a little dubiously as though there was something about him that she couldn't understand. Some feminine instinct was waking. But Una's cheerfulness and interest in all things was unabated. We three men smoked—I, too, for I had lately fallen from grace—with the ladies' permission in the drawing-room where Una played upon the piano and sang. I don't think that Jerry had known about her music for he had said nothing of it to me, and when her voice began softly:
"Oh doux printemps d'autrefois"—
Massenet's "Elegie," as I afterwards learned—a hush fell over the room and we three men sat staring at the sweet upturned profile, as her lovely throat gave forth the tender sad refrain: