Peter glanced around him comparing this strange situation with another that he remembered, when a real terror had come, a tangible terror in the shape of a countryside gone mad with blood lust. He smiled toward the bush where the armed men lay concealed and toward the gate where the other armed man was standing. It was all so like a situation out of an opéra bouffe of Offenbach.

What he felt now in this strange situation was an intense curiosity to learn the meaning of it all, to meet the mysterious person around whom all these preparations centered. Peter had known fear many times, for fear was in the air for weeks along the Russian front, the fear of German shells, of poison gas, and of that worst poison of all—Russian treachery. But that fear was not like this fear, which was intimate, personal but intangible. He marked it in the scrutiny of the man who opened the door and of the aged woman who suddenly appeared beside him in the dim hallway and led him noiselessly up the stair to a lighted room upon the second floor. At the doorway the woman paused.

"Mr. Nichols, Mr. McGuire," she said, and Peter entered.


CHAPTER IV

THE JOB

The room was full of tobacco smoke, through which Peter dimly made out a table with an oil lamp, beside which were chairs, a sofa, and beyond, a steel safe between the windows. As Peter Nichols entered, a man advanced from a window at the side, the shutter of which was slightly ajar. It was evident that not content to leave his safety in the hands of those he had employed to preserve it, he had been watching too.

He was in his shirt sleeves, a man of medium height, compactly built, and well past the half century mark. The distinguishing features of his face were a short nose, a heavy thatch of brows, a square jaw which showed the need of the offices of a razor and his lips wore a short, square mustache somewhat stained by nicotine.

In point of eagerness the manner of his greeting of the newcomer left nothing to be desired. Peter's first impression was that Jonathan K. McGuire was quite able to look out for himself, which confirmed the impression that the inspection to which Peter had been subjected was nothing but a joke. But when his employer began speaking rather jerkily, Peter noticed that his hands were unsteady and that neither the muscles of his face nor of his body were under complete control. Normally, he would have seemed much as Sheldon, Senior, had described him—a hard-fisted man, a close bargainer who had won his way to his great wealth by the sheer force of a strong personality. There was little of softness in his face, little that was imaginative. This was not a man to be frightened at the Unseen or to see terrors that did not exist. Otherwise, to Peter he seemed commonplace to the last degree, of Irish extraction probably, the kind of person one meets daily on Broadway or on the Strand. In a fur coat he might have been taken for a banker; in tweeds, for a small tradesman; or in his shirt as Peter now saw him, the wristbands and collar somewhat soiled from perspiration, for a laboring man taking his rest after an arduous day. In other words, he was very much what his clothes would make of him, betraying his origins in a rather strident voice meant perhaps to conceal the true state of his mind.