Cathedral Cities of England

by George Gilbert

In 1536 Exeter was erected a county of itself. The year 1549 saw the investment of the city by a numerous body of popish adherents, from whom it was relieved by John Lord Russell in August. On the very day of its investment, the second of July, the strange spectacle of Welch being hanged from the tower of his own church, in which he had been accustomed to officiate as vicar, took place. He suffered on the charge of being a Cornish rebel. During the parliamentary war it was taken and retaken, finally to be surrendered to the Roundheads in 1646. Throughout it all the citizens were warm supporters of the Stuarts, as they had always been to the Crown. So much so was their loyalty that in a previous reign, that of Elizabeth, she presented to the Corporation, with many other marks of her royal favour, the motto "Semper Fidelis." During the stay of the parliamentary troops under General Fairfax, the Cathedral was ruthlessly defaced and divided into places of worship for Presbyterians and Independents. The palace adjoining was also turned into barracks, and the Chapter House converted into stables. During these troubles Queen Henrietta Maria, the consort of Charles I., had returned to Exeter from Oxford, believing herself to be in danger from the hatred with which she feared she was regarded by the people. Here she gave birth to her youngest child, the Princess Henrietta. Leaving the infant at Exeter she escaped to France.

In the Guildhall, which is a picturesque Elizabethan building, are two full-length portraits: one depicts the features of General Monk, Duke of Albemarle, painted by Sir Peter Lely; the other was given by Charles II. to the Corporation as some slight acknowledgment of the city's loyalty. It represents the portrait of his sister, Princess Henrietta, then Duchess of Orleans. James II. was the next sovereign to bestow favour, which he did by establishing a mint in 1688. His influence was shortlived, for on the arrival of the Prince of Orange in the August of the same year the inhabitants readily submitted. This prince is credited with establishing a mint at Exeter, or it may be he simply completed or confirmed that of his predecessor. The following year saw him on the throne of the kingdom as William III., which ratified the declaration he had caused to be read by Burnet in the Cathedral of Exeter. Though visited by subsequent reigning princes, their presence may be said to have conferred more honour than to have promoted any material changes to the prosperity of Exeter.

The mainstay of the city is the glorious Cathedral, and the quaintness of some of its houses and streets is unique. They afford a great attraction to visitors, who are willing to go a long railway journey west simply to see and compare the merits and demerits of the Cathedral with the many others dotted throughout Great Britain.

The actual date of the Cathedral is in 1049. Its origin, as we have seen, occasioned no turning of the soil to receive foundations, but merely the conventual church of the monks, removed by Edward the Confessor to his new abbey at Westminster, adapted to meet the requirements of Bishop Leofric and his secular canons appointed to the united Sees of Devon and Cornwall. The head of the Diocese was at Exeter. What was the size and character of the converted monastic church at that time no two authorities seem able to agree. According to an old record at Oxford its lease soon ran out, for in the year 1112 a new church was commenced by Bishop Warlewast, continued by his successors, and finally completed by Bishop Marshall, who died in 1206. They are supposed to have carried out the plan of Warlewast; but as the whole of the fabric, with the exception of the towers, was entirely rebuilt in 1280, the original design is chiefly conjectural. The body of the church probably corresponded in character with the two massive transeptal towers. These are quite a feature in that, with the exception of those at the collegiate church of Ottery in Devonshire, they exist nowhere else in England. This arrangement of the towers did away with the necessity of either a central tower or lantern. It enabled the architect to extend a long unbroken roof throughout the nave and choir. The aisles, with the intervention of richly clustered pillars and pointed arches springing from their caps, range along on either side of the nave. With the sets of ribs starting each from a clustered centre, and spreading out as they soar towards the highest limit of the roof, as grand an exposition of beauty and noble gradations of perspective lines, as conceived by architects of the Decorative period, have been realised. The period of this rebuilding was commenced in 1280 with the Early English style of architecture by Bishop Quivil, and was completed in 1369 in the best years of the Decorated style, just a few years before the Perpendicular came into vogue. It is said that this cathedral served as a model for the church at Ottery. Though this cathedral in miniature resembles the great edifice in Exeter in certain points, notably the transeptal towers, yet, if the principal part of it dates from 1260, it can hardly, with the one exception, have been a copy of the chief church of the Diocese. The Early English work of Ottery church takes, by comparison of dates, priority over that at Exeter by some twenty years.

The west front, which is one mass of elegant tracery and canopied niches adorned with statuary, is the Decorated period merged into that of the Perpendicular, covering the years from about 1369 to 1394, under the episcopacy of Brantingham. The windows are excellent examples of elegant tracing. Under successive bishops after Quivil, the chief alteration was the lengthening of the nave and the roof vaulted by Grandison. The year 1420 really saw the completion of the building under Bishop Lacey. Time and weather having caused certain decay, Sir G. G. Scott was directed in 1870 to restore it. The undertaking took seven years. A new stall, a reredos, the choir repaved, rich marbles and porphyries used, and stained glass put up mainly by Clayton and Bell, were the chief items of restoration. When erecting the reredos Scott could never have foreseen the little storm it gave rise to, just when he was half-way through with the general renovation. Prebendary Philpotts, the Chancellor, and several others had their conscientious objections, which they laid before the Bishop's visitation court in 1873. It was ruled that the Bishop had the jurisdiction in the matter. He ordered the removal of the reredos in April 1874. In August of the same year Dean Boyd appealed to the Court of Arches, and had the previous decision reversed by Sir R. Phillimore. However, Prebendary Philpotts saw fit to appeal to the Judicial Committee of the Privy Council. They decided that the reredos should remain. Thus in 1875 was ended the controversy; and there rests Sir G. G. Scott's design, open to the criticism of all who are capable of framing an impartial one.

In this same year of 1875 much excitement arose over the church-tax. It was called indifferently "dominicals" and "sacrament money," which were said to be of the nature of tithes. However, the disputes were ended by the distraints for payment.

In the Chapter House is preserved an important manuscript, including the famous book of Saxon poetry presented by Leofric on his accession to the See of Exeter. It is called the "Exeter Book," and is the life of St. Guthlac, by Cynewulf, who was an early English writer. Born somewhere between 720 and 730 at Northumbria, Cynewulf was a wandering bard by profession. Late in life he suffered a religious crisis, and devoted his remaining years to religious poetry. An early work of his is a series of ninety-four Riddles.

It is an example of the effects of Latin influence, which in the end revolutionised the style of Old English literature as a whole. Cynewulf appears to have been a prolific writer. Besides the Riddles, the "Crist" (dealing with the three advents of Christ), the lives of St. Juliana and St. Elene, and the "Fates of the Apostles" are ascribed to him, as well as "The Descent into Hell," "Felix," and the lives of St. Andreas and St. Guthlac. A valuable treasure is that in the possession of Exeter. Many such precious relics are to be found distributed among the various ecclesiastical buildings in England, known only to antiquarians and people with interest akin to theirs. The quaint, picturesque old coffee tavern, with its bow windows of square-leaded panes, ends curiously at the top with a moulded outline so reminiscent of many houses in Belgium.