It was commenced in 1070 and finished by 1100. Of this building little now remains, it having been destroyed by an accidental fire in 1137. It remained in a desolate state till Archbishop Roger rebuilt the apsidal choir and crypt (1154-1191). To this was added the south transept by Archbishop Walter de Grey (1215-1255) in the reign of Henry III., whilst the north transept and the central tower were erected by John le Romaine, who was at that time treasurer of the Cathedral. The two transepts, besides the crypt, are the oldest portions of the present building. They belong to the best years of the Early English style. The south transept has a distinctive feature in its magnificent rose window, whilst the north transept is adorned with a series of beautiful worked lancet windows, known as the Five Sisters. The son of the treasurer, who became also Archbishop, laid the foundation of the nave about 1290, which was completed about forty years later by Archbishop Melton, who also built the west front and the two western towers. The Chapter House also belongs to the same period. In 1361 Archbishop Thoresby commenced to erect the Lady Chapel and presbytery after the Early Perpendicular style. He also in eight years completed the central tower, which he had taken down in 1370, whilst previous to this he had started to rebuild the choir in 1361 to render it more in accordance with the character of the nave, though it was not finished till about 1400. It is a very fine example of the Late Perpendicular style. By this time all traces of the ancient Norman architecture, with the exception of the eastern portion of the crypt by Archbishop Roger, which still remains, had been eliminated. To keep in character it was decided to recase the central tower and alter it into a perpendicular tower with a lantern, which was completed in 1444. With the erection of the south-west tower in 1432, and the north-west tower in 1470, the church was completed, and two years later was reconsecrated. Besides the fire of the madman in 1829, when the woodwork was entirely destroyed, another one broke out in 1840 in the south-west tower, reducing it to a wreck. Since then it has undergone the usual restoration. The whole resembles a Latin cross, and constitutes a glorious minster, the beauty of which can be more readily appreciated by a glance at Mr. Collins' work than by any amount of word-painting. The other illustrations give also a faithful description of the old gateways. They are the four principal gates or "bars" to the walls of the city—walls which contain Norman and Early English work, but principally belong to the Decorative style. Micklegate Bar is the south entrance, upon which were exposed the heads of traitors, and is Norman. Monk Bar leads on to the Scarborough Road, and probably belongs to the fourteenth century. It was formerly called Goodramgate, which was changed after the Restoration to Monk Bar, in honour of General Monk. Walmgate Bar dates from the reign of Edward I., and still retains the barbican rebuilt in 1648, whilst Bootham Bar, with a Norman arch, is the main entrance from the north. Stonegate is situated practically in the heart of the city, not far from the minster. It is a curious piece of architecture. York has been most happy with regard to the birth of men who have distinguished themselves. It has yielded to the Church of Rome eight saints and three cardinals, and to England no less than twelve lord chancellors, two lord treasurers and lord presidents of the north. But the earliest recorded birth of an eminent native takes us out of the ordinary ranks of men. If any name is well known it is certainly that of the first Roman emperor who embraced Christianity. He is Constantine the Great. Flaccus Albanus was also born here. He was a pupil of the great ecclesiastical historian, the Venerable Bede. Waltheof, Earl of Northumberland and son of Siward; Thomas Morton, in turn Bishop of Chester, Lichfield, Coventry, and Durham, first came into the world at York; whilst of more recent times there was Gent, an eminent painter and historian; Swinburn, a distinguished lawyer; and Flaxman, one of England's most celebrated sculptors, who is perhaps as well known by his beautiful designs for the Wedgwood pottery as by any other work of his. Not to know who Flaxman was is almost as bad as to admit ignorance of the existence of Michael Angelo.
HIS ancient city on the river Itchen in Hampshire is inseparably bound with William of Wykeham. He it was who rebuilt a great part of the magnificent cathedral now extant, and who founded the great public school of Winchester, at which so many celebrated men have received their education. These form the great attraction of the city, and rescue it from oblivion. It is with sorrow we foresee that the inevitable restoration will take place in the east end of this venerable structure. For many years past the foundations were known to be in an unsafe condition, but recently great alarm was caused by the appearance of large cracks in the upper masonry and of the bulging in of the groining of the crypt. There was no doubt that the foundations were slowly subsiding, and speculation was rife as to the cause. With a view to ascertaining the state of the foundations, excavations were made. It was discovered that the original builders had rested them on marshy ground, strengthened with oak piles, which have gradually decayed during the lapse of centuries. At the same time the presence of an underground stream, thought to be part of the river Itchen, was seen to be bubbling up through the gravel, saturating the upper soil of peat.
In much the same way as the site of St. Paul's Cathedral in London probably was covered, in the first instance, with buildings for pagan worship, so we find that the Romans at Winchester erected temples to Apollo and Concord upon the ground that eventually came to be the precincts of the Cathedral. The presence of a Christian church appears to have been in the third century, when the city is said to have become one of the chief centres of the Christian Britons. This first church, however, was destroyed during the persecution of Aurelian and was rebuilt in 293, to be made a wreck in 495 by the Saxons, who fired it. What with the religious convulsion of England, which, with the exception of Kent, fluctuated with the rise and fall of circumstances chiefly controlled by the policy of kings either heathen at one time and Christian at another, or the deposition and death of a Christian monarch, caused by one more powerful and deeply imbued with heathenism, the See of Winchester does not appear to have come into existence till about the middle of the seventh century. The establishment of its bishopric in a way marks the commencement of a new epoch in the English Church.
The mission of St. Augustine, backed with the royal countenance of Ethelbert, had, though not completed, done much towards conversion; but on their death practically the whole of the Christian territory, excepting Kent, relapsed into heathenism, and to such an extent that Augustine's successor, Laurentius, was on the point of giving up the whole mission and taking refuge in Gaul. Not until 625 did a mission again venture forth from the Kentish kingdom, and then their tentative efforts were rendered abortive by the battle of Hatfield in 633, which for a while seems to have crushed all hope at Rome. But a couple of years later an independent missionary, Birinus, was consecrated in Italy, and was sent by the people to make fresh attempts to break down the barriers of heathenism in England. Through his influence Cynegils became the first Christian king of the West Saxons. To inaugurate his conversion the monarch decided to establish a bishopric, and immediately began to collect materials for building, at his capital of Winchester, a cathedral, which was eventually constructed by his son Cenwahl in 646. The Danes in 867 broke up the establishment, and the year following, secular priests were substituted. They remained till 963, when Ethelwold, by command of King Edgar, expelled them to make room for the monks of the Benedictine Order from Abendon. They enjoyed uninterrupted possession, and were richly endowed with royal donations, as the dissolution revealed the extent of its revenue. Henry VIII. then refounded it for a bishop, dean, chancellor, twelve prebendaries, and other subordinate officers. The Cathedral was first dedicated to St. Amphibalus, then jointly to St. Peter and St. Paul, and afterwards to St. Swithin, once bishop here. With Henry VIII.'s régime the title was altered to the Holy and undivided Trinity. The church of Cynegils having become entirely ruined, a new cathedral was commenced in 1073-98 by Bishop Walkelyn. The two Norman transepts and the low central tower, as also the very early crypt, still exist. The church is a spacious, massive, and splendid cruciform building of Norman architecture with subsequent additions in the Gothic style. The whole of the Norman nave was demolished and re-erected on a far grander scale by William of Wykeham at the end of the fourteenth century, though not quite completed till after his death. The choir was much restored in the fourteenth century, whilst it underwent considerable alteration by Bishop Fox from 1510 to 1528. Here is the tomb of William II. A great feature is the magnificent reredos behind the altar. It extends the full width of the choir, with two processional entrances pierced through its lofty wall, and covered with tier upon tier of rich canopied niches. They once contained colossal statues. Behind this reredos there is a second stone screen, which enclosed the small chapel in which stood the magnificent gold shrine studded with jewels. It contained the body of St. Swithin, and was the gift of King Edgar. The Cathedral, in fact, received at one time and another great treasures of gold and jewels by many of the early kings of England. Canute is said to have caused his crown of gold and gems to be suspended over the great crucifix above the high altar.