“No, indeed; I am here by the merest chance, but a most happy one. I haven’t much time as a rule. The weather drove me out to-day. Are you sensitive to the weather? A sky like this weighs upon me; I haven’t a thought; I can’t follow an argument through three successive lines. You know I’m reading law?”
“I rather thought you had left England.” He looked at her, raised his eyebrows slightly, and shook his head.
“You don’t mean that you wish I had?”
“Why should I wish it?”
“I am used to that feeling in my acquaintances; they exhaust their powers of indirect emphasis in conveying to me the fact that I am de trop. It is refreshing to find one exception, and the one I should have desired.”
Whilst speaking he took out a pocket-book, which contained loose papers; one of these he removed; but only to return it to his pocket together with the book.
“Do I bore you?” he asked, bending his head down to her with graceful expectation of her reply; “or will you let me walk on with you?”
“Is there anything you wish particularly to see?” Ada returned, still in the same mechanical way.
“Yes; I should like you to come upstairs to the pictures. You really understand art; you can help me to appreciate the right things.”
She walked on without hesitation, and they spent nearly an hour in the galleries. It was as though, in consenting to accompany him, Ada had overcome an inward restraint, and was now expanding in a sense of freedom. Her face cleared, her eyes grew bright, her tongue was loosened; she talked of the pictures in a natural, easy, and sensible way, quite without self-consciousness. Lacour was, as always, frankly egoistic; everything became to him a text for effusive utterance on his subjective experiences. As on a previous occasion, he spoke of the artistic instincts which made the basis of his nature, and went on to sketch a plan of aesthetic education, such as he hoped some day to carry into effect. The unction of his self-flattery was irresistible; to listen was to become insensibly as interested in him as he was in himself. The mere quality of his voice was insinuating, seductive and delicately sensual, and the necessity of speaking low when strangers were at hand gave him the advantage of intimate notes and cadences. His faculty for making himself and his circumstances a source of pathetic suggestion did in fact almost amount to artistic genius; there was at times a fall in his voice which caressed the ear like certain happiest phrases in sad simple music, and his eyes would fix themselves on a beautiful picture with an apprehension of melancholy so remote, so subtle, that to perceive its reflection was to feel a thrill on the finest chords of sympathy. Then a lighter mood would succeed, comment would take a humorous turn, not without hints of interpretation generally reserved for masculine colloquy, ambiguities which might or might not be intentional, a glancing in directions whence it is usual to avert the mental eye. At the end of the hour Ada was laughing and talking in a way quite new to her, doing her best to say clever things which yet had no point of sarcasm, even speaking a little of herself, though this was a subject upon which Lacour could not get her to dwell.