‘Welcome, gents both!’ he cried facetiously. ‘Ages since I saw you, Reardon. I’ve been reading your new book. Uncommonly good things in it here and there—uncommonly good.’
Whelpdale had the weakness of being unable to tell a disagreeable truth, and a tendency to flattery which had always made Reardon rather uncomfortable in his society. Though there was no need whatever of his mentioning ‘Margaret Home,’ he preferred to frame smooth fictions rather than keep a silence which might be construed as unfavourable criticism.
‘In the last volume,’ he went on, ‘I think there are one or two things as good as you ever did; I do indeed.’
Reardon made no acknowledgment of these remarks. They irritated him, for he knew their insincerity. Biffen, understanding his friend’s silence, struck in on another subject.
‘Who is this lady of whom you write to me?’
‘Ah, quite a story! I’m going to be married, Reardon. A serious marriage. Light your pipes, and I’ll tell you all about it. Startled you, I suppose, Biffen? Unlikely news, eh? Some people would call it a rash step, I dare say. We shall just take another room in this house, that’s all. I think I can count upon an income of a couple of guineas a week, and I have plans without end that are pretty sure to bring in coin.’
Reardon did not care to smoke, but Biffen lit his pipe and waited with grave interest for the romantic narrative. Whenever he heard of a poor man’s persuading a woman to share his poverty he was eager of details; perchance he himself might yet have that heavenly good fortune.
‘Well,’ began Whelpdale, crossing his legs and watching a wreath he had just puffed from the cigar, ‘you know all about my literary advisership. The business goes on reasonably well. I’m going to extend it in ways I’ll explain to you presently. About six weeks ago I received a letter from a lady who referred to my advertisements, and said she had the manuscript of a novel which she would like to offer for my opinion. Two publishers had refused it, but one with complimentary phrases, and she hoped it mightn’t be impossible to put the thing into acceptable shape. Of course I wrote optimistically, and the manuscript was sent to me.
Well, it wasn’t actually bad—by Jove! you should have seen some of the things I have been asked to recommend to publishers! It wasn’t hopelessly bad by any means, and I gave serious thought to it. After exchange of several letters I asked the authoress to come and see me, that we might save postage stamps and talk things over. She hadn’t given me her address: I had to direct to a stationer’s in Bayswater. She agreed to come, and did come. I had formed a sort of idea, but of course I was quite wrong. Imagine my excitement when there came in a very beautiful girl, a tremendously interesting girl, about one-and-twenty—just the kind of girl that most strongly appeals to me; dark, pale, rather consumptive-looking, slender—no, there’s no describing her; there really isn’t! You must wait till you see her.’
‘I hope the consumption was only a figure of speech,’ remarked Biffen in his grave way.