‘How clever you are, Amy!’

‘Am I? It’s very nice to be told so. Perhaps I have some cleverness of a kind; but what use is it to me? My life is being wasted. I ought to have a place in the society of clever people. I was never meant to live quietly in the background. Oh, if I hadn’t been in such a hurry, and so inexperienced!’

‘Oh, I wanted to ask you,’ said Edith, soon after this. ‘Do you wish Albert to say anything about you—at the hospital?’

‘There’s no reason why he shouldn’t.’

‘You won’t even write to say—?’

‘I shall do nothing.’

Since the parting from her husband, there had proceeded in Amy a noticeable maturing of intellect. Probably the one thing was a consequence of the other. During that last year in the flat her mind was held captive by material cares, and this arrest of her natural development doubtless had much to do with the appearance of acerbity in a character which had displayed so much sweetness, so much womanly grace. Moreover, it was arrest at a critical point. When she fell in love with Edwin Reardon her mind had still to undergo the culture of circumstances; though a woman in years she had seen nothing of life but a few phases of artificial society, and her education had not progressed beyond the final schoolgirl stage. Submitting herself to Reardon’s influence, she passed through what was a highly useful training of the intellect; but with the result that she became clearly conscious of the divergence between herself and her husband. In endeavouring to imbue her with his own literary tastes, Reardon instructed Amy as to the natural tendencies of her mind, which till then she had not clearly understood. When she ceased to read with the eyes of passion, most of the things which were Reardon’s supreme interests lost their value for her. A sound intelligence enabled her to think and feel in many directions, but the special line of her growth lay apart from that in which the novelist and classical scholar had directed her.

When she found herself alone and independent, her mind acted like a spring when pressure is removed. After a few weeks of desoeuvrement she obeyed the impulse to occupy herself with a kind of reading alien to Reardon’s sympathies. The solid periodicals attracted her, and especially those articles which dealt with themes of social science. Anything that savoured of newness and boldness in philosophic thought had a charm for her palate. She read a good deal of that kind of literature which may be defined as specialism popularised; writing which addresses itself to educated, but not strictly studious, persons, and which forms the reservoir of conversation for society above the sphere of turf and west-endism. Thus, for instance, though she could not undertake the volumes of Herbert Spencer, she was intelligently acquainted with the tenor of their contents; and though she had never opened one of Darwin’s books, her knowledge of his main theories and illustrations was respectable. She was becoming a typical woman of the new time, the woman who has developed concurrently with journalistic enterprise.

Not many days after that conversation with Edith Carter, she had occasion to visit Mudie’s, for the new number of some periodical which contained an appetising title. As it was a sunny and warm day she walked to New Oxford Street from the nearest Metropolitan station. Whilst waiting at the library counter, she heard a familiar voice in her proximity; it was that of Jasper Milvain, who stood talking with a middle-aged lady. As Amy turned to look at him his eye met hers; clearly he had been aware of her. The review she desired was handed to her; she moved aside, and turned over the pages. Then Milvain walked up.

He was armed cap-a-pie in the fashions of suave society; no Bohemianism of garb or person, for Jasper knew he could not afford that kind of economy. On her part, Amy was much better dressed than usual, a costume suited to her position of bereaved heiress.