With another laugh, she dismissed the subject; nor did her aunt endeavour to revive it.

The morrow was Sunday. Elgar knew at what time his tram left for Salerno; the time-table was the same as for other days. Yet he lay in bed till nearly noon, till the train had long since started. No, he should not go to-day.

It irked him to rise at all. He had not slept; his head was hot, and his hands shook nervously. Dressed, he sat down for a minute, and remained seated half an hour, gazing at the wall. When at length he left the house, he walked without seeing anything, stumbling against things and people.

Of course, he knew last night that there was no journey for him to-day. Promise? A promise is void when its fulfilment has become impossible. Very likely Mallard had a conviction that he would not come back at the appointed time. To-morrow, perhaps; and perhaps not even to-morrow. It had got beyond his control.

He ate, and returned to his room. Just now his need was physical repose, undisturbed indulgence of reverie. And the reverie of a man in his condition is a singular process. It consists of a small number of memories, forecasts, imaginings, repeated over and over again, till one would think the brain must weary itself beyond endurance. It can go on for many hours consecutively, and not only remain a sufficient and pleasurable employment, but render every other business repulsive, all but impossible.

At evening there came a change. He was now unable to keep still; he went into the town, and exhausted himself with walking up and down the hilly streets. Society would have helped him, but he could find none. He would not go to the villa; still less could he visit the boarding-house.

What a night! At times he moved about his room like one in frantic pain, finally flinging himself upon the bed and lying there till the impulse of his fevered mind broke the beginnings of sleep. Or he walked the length of the floor, with measured step, fifty times, counting each time he turned—a sort of conscious insanity. Or he took his pocket-knife, and drove the point into the flesh of his arm, satisfied when the pang became intolerable. Then again a loss of all control in mere frenzy, the desire to shout, to yell....

Elgar was out of the house at sunrise. He went down to the Chiaia, loitered this way and that, always in the end facing towards Posillipo. He drank his coffee, but ate nothing; then again walked along the sea-front. Between nine and ten he turned into the upward road, and went with purpose towards Villa Sannazaro.

CHAPTER IX