All kept together. Mr. Bradshaw resumed his interest in antiquities, but did not speak so freely about them as before.
"Your brother knows a good deal more about these things than I do, Mrs. Baske," he remarked. "He shall give us the benefit of his Latin."
Miriam resolutely kept her eyes alike from Reuben and from Cecily. Hitherto her attention to the ruins had been intermittent, but occasionally she had forgotten herself so far as to look and ponder; now she saw nothing. Her mind was gravely troubled; she wished only that the day were over.
As for Elgar, he seemed to the Bradshaws singularly quiet, modest, inoffensive. If he ventured a suggestion or a remark, it was in a subdued voice and with the most pleasant manner possible. He walked for a time with Mrs. Bradshaw, and accommodated himself with much tact to her way of regarding foreign things, whether ancient or modern. In a short time all went smoothly again.
Not since they shook hands had Elgar and Cecily encountered each other's glance. They looked at each other often, very often, but only when the look could not be returned; they exchanged not a syllable. Yet both knew that at some approaching moment, for them the supreme moment of this day, their eyes must meet. Not yet; not casually, and whilst others regarded them. The old ruins would be kind.
It was in the house of Meleager. They had walked among the coloured columns, and had visited the inner chamber, where upon the wall is painted the Judgment of Paris. Mr. Bradshaw passed out through the narrow doorway, and his voice was dulled; Miriam passed with him, and, close after her, Mrs. Bradshaw. Reuben seemed to draw aside for Cecily, but she saw his hand extended towards her—it held a spray of maidenhair that he had just gathered. She took it, or would have taken it, but her hand was closed in his.
"I have stayed only to see you again," came panting from his lips. "I could not go till I had seen you again!"
And before the winged syllables had ceased, their eyes met; nor their eyes alone, for upon both was the constraint of passion that leaps like flame to its desire—mouth to mouth and heart to heart for one instant that concentrated all the joy of being.
What hand, centuries ago crumbled into indistinguishable dust, painted that parable of the youth making his award to Love? What eyes gazed upon it, when this was a home of man and woman warm with life, listening all day long to the music of uttered thoughts? Dark-buried whilst so many ages of history went by, thrown open for the sunshine to rest upon its pallid antiquity, again had this chamber won a place in human hearts, witnessed the birth of joy and hope, blended itself with the destiny of mortals. He who pictured Paris dreamt not of these passionate lips and their unborn language, knew not that he wrought for a world hidden so far in time. Though his white-limbed goddess fade ghostlike, the symbol is as valid as ever. Did not her wan beauty smile youthful again in the eyes of these her latest worshippers?
And they went forth among the painted pillars, once more shunning each other's look. It was some minutes before Cecily knew that her fingers still crushed the spray of maidenhair; then she touched it gently, and secreted it within her glove. It must be dead when she reached home, but that mattered nothing; would it not remain the sign of something deathless?