This Mr. Egremont had not the look of a man who finds his joy in the life of Society. His clean-shaven face was rather bony, and its lines expressed independence of character. His forehead was broad, his eyes glanced quickly and searchingly, or widened themselves into an absent gazing which revealed the imaginative temperament. His habitual cast of countenance was meditative, with a tendency to sadness. In talk he readily became vivacious; his short sentences, delivered with a very clear and conciliating enunciation, seemed to indicate energy. It was a peculiarity that he very rarely smiled, or perhaps I should say that he had the faculty of smiling only with his eyes. At such moments his look was very winning, very frank in its appeal to sympathy, and compelled one to like him. Yet, at another time, his aspect could be shrewdly critical; it was so when Annabel fell short of enthusiasm in speaking of the book he had recommended to her when last at Ullswater. Probably he was not without his share of scepticism. For all that, it was the visage of an idealist.
Annabel led him into the house and to the study door, at which she knocked; then she stood aside for him to enter before her. Mr. Newthorpe was writing; he looked up absently, but light gathered in his eyes as he recognised the visitor.
'So here you are! We talked of you this morning. How have you come?'
'On foot from Pooley Bridge.'
They clasped hands, then Egremont looked behind him; but Annabel had closed the door and was gone.
She went up to the room in which Paula sat scribbling letters.
'Ten minutes more!' exclaimed that young lady. 'I'm just finishing a note to mamma—so dutiful!'
'Have you written to Mr. Egremont?'
Paula nodded and laughed.
'He is downstairs.'