It has been asserted that Guttenberg stole the types from Laurentius, with which he repaired to Strasburg, and commenced business; but of this we can find no corroboration. It has also been said that upon this occasion, Guttenberg stole his own materials, but this is likewise unauthenticated.
The result of this law-suit, which occurred in 1439, was a dissolution of partnership; and Guttenberg, after having exhausted his means in the effort, proceeded, in 1445, to his native city of Mentz, where he resumed his typographic labours.
Being ambitious of making his extraordinary invention known, and of value to himself, but being at the same time deficient in the means, he opened his mind to a wealthy goldsmith and worker in precious metals, named John Fust, or Faust, and prevailed on him to advance large sums of money, in order to make further and more complete trials of the art. Guttenberg, being thus associated with Faust, the first regular printing office was begun, and the business carried on in a style corresponding to the infancy of the art. After many smaller essays in trying the capabilities of a press and moveable types, Guttenberg had the hardihood to attempt an edition of the Bible, which he succeeded in printing complete between the years 1450 and 1455. This celebrated Bible, which was the first important specimen of the art of printing, and which, judging from what it has led to, we should certainly esteem as the most extraordinary and praiseworthy of human productions, was executed with cut metal types, on six hundred and thirty-seven leaves; and, from a copy still in existence in the Royal Library of Berlin, some appear to have been printed on vellum. The work was printed in the Latin language.
The execution of this—the first printed Bible—which has justly conferred undying honours on the illustrious Guttenberg, was most unfortunately, the immediate cause of his ruin. The expenses incident to carrying on a fatiguing and elaborate process of workmanship, for a period of five years, being much more considerable than what were originally contemplated by Faust, he instituted a suit against poor Guttenberg, who, in consequence of the decision against him, was obliged to pay interest, and also a part of the capital that had been advanced. This suit was followed by a dissolution of partnership; and the whole of Guttenberg’s materials fell into the hands of John Faust.
Besides the above-mentioned Bible, some other specimens of the work of Guttenberg have been discovered to be in existence. One in particular, which is worthy of notice, was found some years ago, among a bundle of old papers, in the archives of Mayence. It is an almanack for the year 1457, which served as a cover for a register of accounts for that year. This would most likely be printed towards the close of the year 1456, and may, consequently, be deemed the most ancient specimen of typographic printing extant, with a certain date.
Antiquaries and Bibliomaniacs have found considerable difficulty in ascertaining by what process Guttenberg manufactured types; but it appears to be the prevalent opinion, that those which he first used were individually cut by the hand; and being all made as near a height and thickness as possible, they were thus put together in the forms. The cutting of these types must have been a tedious, as well as laborious, occupation. This ingenious man, however, soon discovered the mode of casting his types, by means of moulds; for without this great accessory to the art of printing, he conceived it was next to impossible to carry on his business. The art of type-founding is therefore given to John Guttenberg, in which it would appear he has had no competitor for the honour; but, it is but justice to state that the plan of striking the moulds with punches was a subsequent invention of Peter Schoeffer, his successor, who became partner with Faust, and afterwards his son-in-law.
That Guttenberg was a person of refined taste in the execution of his works, is sufficiently obvious to every person who has had the opportunity of seeing any of them. Adopting a very ancient custom common in the written copies of the Scriptures and the missals of the church, he used a large ornamental letter at the commencement of books and chapters, finely embellished, and surrounded with a variety of figures as in a frame. The initial letter of the first psalm thus forms a splendid specimen of the art of printing in its early progress. It is richly ornamented with foliage, flowers, a bird, and a greyhound, and is still more beautiful from being printed in a pale blue colour, while the embellishments are red, and of a transparent appearance.
What became of Guttenberg immediately after the unsuccessful termination of his law-suit with Faust, is not well known. Like the illustrious discoverer of the great Western Continent, he seems to have retired almost broken-hearted from the service of an ungrateful world, and to have spent most of the remainder of his days in obscurity. It is ascertained, however, that, in 1465, he received an annual pension from the Elector Adolphus, but that he only enjoyed this trifling compensation for his extraordinary invention for a period of three years, and died in February 1468.
John Faust, who as we have seen, obtained the materials of Guttenberg, laid claim to the invention, which has been granted to him by several. Having sufficient capital at his command, he pushed the trade with great advantage to himself. In the Bibles which he printed he frequently omitted the capital and initial letters, leaving them blank for illumination in gold or azure; this was designedly done for the purpose of imposing upon the public printed copies for M.S. transcripts. The report which is in circulation concerning Faust, appears to come in support of this assertion: it being said he was at Paris, and offering a quantity of his Bibles for sale as M.S. The French, considering the number of them, and also remarking the exact similarity and accuracy of them, even to a single point, concluded it was impossible for the most accurate copyist to have transcribed them so correctly. They suspected him of necromancy, and either actually indicted him, or threatened to do, as a magician; and by this means obtained his secret: whence came the origin of the popular story of Dr. Faustus, his dealing with the devil, and tragical death.
In 1462, when Mentz was plundered and disfranchised of its former liberties, printing rapidly spread through a great part of Europe, particularly its artizans in that branch of art, settled at Haerlem, Hamburgh, and other places; from Haerlem it travelled to Rome in 1466, when the Roman character was adopted in 1467, and soon perfected.